Show Notes
In the first episode of their second series of Modern-ish Poets, Seamus Perry and Mark Ford take on Gerard Manley Hopkins: Victorian literature’s only anti-modern proto-modernist queer-ecologist Jesuit priest.
To listen series one of Modern-ish Poets, and all our other Close Readings series in full, covering literature from Ancient Greece to the present day, sign up here:
Directly in Apple Podcasts: https://lrb.me/mp2apple
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Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
Further reading on Hopkins in the LRB:
Helen Vendler: https://lrb.me/vendlerhopkinspod
Patricia Beer: https://lrb.me/beerhopkinspod
John Bayley: https://lrb.me/bayleyhopkinspod
This episode was first published on the LRB Podcast in March 2020.
More from Modern-ish Poets: Series 2
On the centenary of the publication of Eliot’s ‘The Waste Land’ in book form, Mark and Seamus finish the second series of Modern-ish Poets by considering how revolutionary the poem was, the numerous meanings that have been drawn out of it, and its lasting influence.
Seamus Perry and Mark Ford discuss the lives and works of Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic, hedonistic poetry, freeing themselves from the puritan American tradition.
Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th century, and whose difficult experiences are often refracted through her damaged and marginalised characters.
Seamus Perry and Mark Ford continue their series with a look at the life and work of W.B. Yeats, from his early quest for a mythological Irish culture, to his shift towards the Modernist experiment, and preoccupation with the ‘murderousness of the world’.
Seamus Perry, Mark Ford and Joanne O’Leary discuss the life and work of Emily Dickinson—her dashes, death instinct and obliquity.