Show Notes
Hi folks! Join me for this third installment of Real Remnants, where we take a peek at some of the extraordinary efforts taken to protect and recover artwork during the Second World War, and discuss a little of how much artwork was still lost and destroyed despite these incredible efforts.
Transcript available here: https://docs.google.com/document/d/1R40WMirR3efER8fchx3FVHG3rb-3-rNp0GcMU8W7AgI/edit?usp=sharing
For Early Access to the next part of Real Remnants and Remnants' second season when it starts airing, support me on patreon: https://www.patreon.com/hangingslothstudios
If you found this interesting and want to take a further look, here are some resources to get you started: Mental Floss article about Jaujard: https://www.mentalfloss.com/article/84865/how-mona-lisa-escaped-destruction-during-world-war-ii Monuments Men and Women Foundation website: https://www.monumentsmenandwomenfnd.org/ The Met’s MFAA lecture: https://www.youtube.com/watch?v=JlovfRhcQpU Hosted on Acast. See acast.com/privacy for more information.
More from Remnants : An Audio Drama
Sir and the Apprentice stand on common ground, and the world reaches on above, beyond BeLOW. We are such stuff as dreams are made on. Transcript, with Content Warnings: https://hangingslothstudios.com/remnants-transcripts/2-60/
Sir decides to show the Apprentice a remnaNt he has beEn too afraid to show him before.
In the afteR math of what the Apprentice has seen about himself, he and Sir wander the first and last place, and wOnder about their place in its midst.
Sir and the Apprentice find themselves on different paThs, but they may not necEssarily take them different places.