Show Notes
Joining the podcast is Ben Jenkins, the creator and one of the writers of the new six-part Stan Original series The Killings at Parrish Station, a cosmic horror drama that releases on the streamer on June 24. Set across two time periods – 1987 and present day – it begins when a gruesome massacre at a remote research station plunges a detective (played in the past by Mia Wasikowska and in the present by Heather Mitchell) into an inexplicable, decades-long mystery.
Throughout the episode Ben talks about his career journey from stand-up comedy to working on The Chaser, and as writer, producer and presenter on The Checkout before his time on The Feed – and how his years in sketch comedy have informed him as a writer. He talks about tackling a drama set across different time periods, how he collaborated with writers Tim Pye, Catherine Smyth-McMullen and Yolanda Ramke to draft episodes, how to maintain the core idea of a story over years of development, and much more.
Watch all episodes of The Killings at Parrish Station from June 24
More from Breaking Screen
Today's episode features Holly Lyons, who gives her insights into pitching, including what a pitch is, the different types of pitches, why they are important, how to prepare, what to do about nerves, why a strong pitch is a win-win situation regardless of if it's successful, and much more.
Today's episode features Elise McCredie, an award-winning showrunner and screenwriter, whose most recent series is The Airport Chaplain, starring Hugo Weaving, Shabana Azeez and Claudia Karvan. Co-created and executive produced by Elise and Jude Troy, it's produced by Wooden Horse and all 8 episodes are available to watch on SBS now.
Today's episode features Gemma Crofts, an award-winning screenwriter, a script editor and former development executive, with more than fifteen years' experience across film and television development.
Today's episode features Sarah Goodes, an Award-winning Australian theatre director who started Jacaranda Productions in 2025 with actor/ producer Diana Glenn after they met at AFTRS. Their goal? To create multi medium stories by finding stories that start in theatre and developing them into TV , film and online productions - and vice versa.
Today's episode features Benson Wu, the CEO of Queer Screen. Throughout the podcast, Benson talks about for submitting to film festivals, why they are important to both audiences and filmmakers and why he volunteered at Queer Screen at the beginning of his career. Benson also started the Taiwan Film Festival in Australia and has worked at Sydney Film Festival, SXSW Sydney, Taiwan International Queer Film Festival and Cinema at Sea – Okinawa Pan-Pacific International Film Festival.