Show Notes
Neil MacGregor, former Director of the British Museum, begins this series about the role and expression of shared beliefs with the Lion Man, a small ivory sculpture which is about 40 000 years old. The figure has a human body and the head of a lion - it is a being that cannot exist in nature. While we shall never know what the Lion Man meant to the community in which it was created, we do know that it mattered enough for the group to allow someone to spend about 400 hours carving it. The programme visits the cave in southern Germany where fragments of ivory were discovered in 1939. These fragments were gradually pieced together by archaeologists decades later to re-assemble the figure. Some smoothing on the torso suggests that the Lion Man was passed from person to person in the cave. Neil MacGregor begins the series with this object because, in his words, 'what the archaeologists did as they pieced together the Lion Man is what societies have always done: work with fragmentary evidence to build a picture of the world. You could say that it's when a group agrees on how the fragments of the cosmic puzzle fit together that you truly have a community - one that endures, encompassing the living, the dead and the yet unborn. What this whole series is about is the role that such systems of belief - and perhaps even more the rituals that express those beliefs - have played in the creation, and sometimes in the destruction, of societies. Are we humans distinguished not just by a capacity to think, but by our need to believe - in a context where the search is not so much for my place in the world, but for our place in the cosmos - where believing is almost synonymous with belonging?' Producer Paul Kobrak The series is produced in partnership with the British Museum, with the assistance of Dr Christopher Harding, University of Edinburgh. Photograph: (c) Museum Ulm, photo: Oleg Kuchar, Ulm.
More from Living with the Gods
Neil MacGregor concludes his series about shared beliefs. He began with the Lion Man, an object created 40,000 years ago, and now reflects on the present, on the future and on hope Producer Paul Kobrak The series is produced in partnership with the British Museum, with the assistance of Dr Christopher Harding, University of Edinburgh. Photograph (c) The Trustees of the British Museum.
Neil MacGregor continues his series on shared beliefs with a look at the attempts of some faiths to establish a state of their own. An over-printed coin from 2nd century Jerusalem tells of the failed attempt of Shimon bar Kokhba to lay claim to a state for the Jews, free from Roman rule - while a white cotton flag, framed in pale blue, flew over Sudan after it had been taken by Mahdist forces and before the Islamic state collapsed in the mid 1890s. Producer Paul Kobrak Produced in partnership with the British Museum Photograph (c) The Trustees of the British Museum.
Neil MacGregor continues his series on shared beliefs with a focus on those faiths seen as a threat to the state. A plain board, to be found on a 17th-century Japanese roadside, offers generous rewards to anyone who informs on Christians. At almost exactly the same time a print from France depicts the officially sanctioned destruction of a Huguenot Church just a few miles east of Paris. Producer Paul Kobrak Produced in partnership with the British Museum Photograph (c) The Trustees of the British Museum.
Neil MacGregor focuses on societies which aimed to live without religious beliefs. Neil examines a revolutionary clock, from around 1795, created in the wake of the French Revolution, and designed to mark a new way of living: in an age of reason, there would no longer be royalism or religion in France. A poster from the Soviet Union celebrates the apparent triumph of scientific progress: the cosmonaut Yuri Gagarin floats in space, looks out and proclaims 'There is no God!'. It seems that the heavens are empty of divine beings, but full, instead, of starry promise. Producer Paul Kobrak Produced in partnership with the British Museum Photograph (c) The Trustees of the British Museum.
Neil MacGregor continues his series on shared beliefs with a focus on earthly rulers and the gods. Queens and kings may be priests of the gods, or their representatives. They may be incarnations - or even gods themselves. Or the relationship may be so close that to divide spiritual from temporal power at all would simply make no sense. Neil examines these ideas, with the help of objects including a bronze staff belonging to the Oba of Benin, and a bronze vessel from China, whose inscription suggests that its dynastic leaders enjoyed a mandate from heaven. Producer Paul Kobrak The series is produced in partnership with the British Museum, with the assistance of Dr Christopher Harding, University of Edinburgh. Photograph (c) The Trustees of the British Museum.