Show Notes
The ‘great acceleration’ is a term used to describe the dramatic surge in the 1950s of both human and earth systems indicators that marked a shift from a relatively stable planetary state to one that's characterised by increasing environmental instability. Alongside measures of carbon dioxide, nitrous oxide and methane levels, this shift can be tracked in numerous other areas of human activity, such as GDP, financialisation, foreign direct investment and the spread of telecommunications.
In ‘The Burning Earth’ (2024), Sunil Amrith uses history as a way of understanding why we got to this moment, drawing on multiple strands of human activity over more than 500 years to trace the origins of environmental crisis. In this episode, Meehan and Peter interrogate some of Amrith’s major themes and examples, from the damaging impact of 18th-century ideas of freedom on our relationship to the natural world, to his analysis of postwar environmentalism through the figures of Hannah Arendt, Rachel Carson and Indira Gandhi.
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More from the LRB:
https://www.lrb.co.uk/the-paper/v45/n24/alexander-bevilacqua/friend-or-food
https://www.lrb.co.uk/the-paper/v42/n22/pooja-bhatia/the-end-of-the-plantocracy
https://www.lrb.co.uk/the-paper/v39/n05/benjamin-kunkel/the-capitalocene
Meehan Crist and Alison Bashford on Indira Gandhi and the anthropocene:
Recommendations for the London Review Bookshop from Sunil Amrith: https://www.londonreviewbookshop.co.uk/blog/2025/october/british-academy-book-prize-2025-sunil-amrith-s-reading-recommendations
More from Nature in Crisis
Lithium-ion batteries are at the heart of the transition away from fossil fuels. But lithium, like the copper, cobalt and rare earths that renewable technologies also require, has to be mined. ‘Everywhere that mines are dug up to provide raw materials for the energy transition,’ Thea Riofrancos writes in Extraction: The Frontiers of Green Capitalism, ‘global climate action comes into conflict with local environmental protection.’ Or as Meehan puts it at the start of the episode, there’s a fundamental contradiction between two desirable things.
‘The Rise of Ecofascism: Climate Change and the Far Right’ is a different kind of book from the others Meehan and Peter have discussed so far in their series, even as their focus has shifted from biology to society. Its authors, Sam Moore and Alex Roberts, are both anti-fascist researchers writing explicitly from the activist left. Unlike commentators such as Mark Lilla, who worry about ‘vilification inflation’, Moore and Roberts make the case for the continuing salience of the word fascism.
Over the past twelve years, the walls and shop shutters of Upper Manhattan have been gradually filled by giant paintings of climate-threatened birds, inspired by the species depicted by the artist John James Audubon, who lived in the area. Emily Raboteau’s ‘Lessons for Survival’ (2024) takes these murals, along with Raboteau’s own photographs of local birds, as a way into exploring the challenges faced by a mother of two Black sons in New York City living through Hurricane Sandy, the first Trump presidency, Covid and mounting climate breakdown.
At Chaco Canyon in the New Mexico desert lie the ruins of a once vibrant and extensive Ancestral Puebloan civilisation. Sometime in the 12th century the society fell into decline, as a fifty-year drought may have helped to push the settlement to collapse. ‘How is it that a complex society like Chaco could survive one drought but not another?’ Roy Scranton asks near the start of ‘Impasse: Climate Change and the Limits of Progress’ (2025).
Through folktales, memoir and hard science, Robin Wall Kimmerer’s 'Braiding Sweetgrass' argues for the intertwining of Indigenous knowledge systems and empirical science, to support ‘mutual flourishing’ between humans and the environment. 'Braiding Sweetgrass' was an enormous success for a small press publication, becoming a bestseller and a touchstone for readers searching for alternatives to extractivist realpolitik.