Who Says You Can't Go Home? Virgil Does.

Put that Twinkie down, you slob, and let's talk about GLUTTONY. The fourth circle of hell is where Dante encounters the people who lived their lives scarfing down cannoli and now spend their afterlife getting pelted with slime and chewed up by the three-headed beast Cerberus. It's also where the poet subtly introduces some key concepts that help make sense of the whole poem--the relation between body and soul, the nature of civil war, and ordo amoris--the principle of love that structures the entire divine comedy. Let's, erm...tuck in! PLUS: I am extremely excited to tell you about my new book, A Way With Words, out in February. Pre-order A Way With Words now: https://a.co/d/0femohqf Dante Translations, reviewed by Boze: https://bibliollcollege.substack.com/p/the-eleven-best-translations-of-the Get the Hollander translation: https://a.co/d/0iCgdYaQ Get the Henry Wadsworth Longfellow translation: https://amzn.to/4wPbiK7 Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Get the Allen Mandelbaum translation: https://amzn.to/4dG6izR Chapters: 00:00 Introduction 00:46 Gluttony: Material versus Spiritual Reality 10:23 Reading Canto VI 19:31 Cerberus, the Embodiment of Ravenous Hunger 25:44 Dante's Hell and the Classical Underworld 41:49 On Pride, Envy, and Avarice 50:11 The Seven Deadly Sins Explained 1:00:53 Book Announcement: A Way with Words

We're in hell for real now. Dante enters the circle of the lustful, where the sinister King Minos strips souls naked and condemns them to their proper place. What does that mean? What does it mean to be "evil-born," and what does Dante show us about the nature of lust? Not, it turns out, that its wages are physical or sexual suffering, but that it has to do with broken love and broken communities--betrayal, rebellion, and adultery. Not that Dante's off the hook himself: in one of the poem's most famous episodes, the pilgrim is brought face-to-face with his own role in tempting others. Because art's not a game, and poetry has consequences. Plus: a mailbag question! Which Greek plays should you read? Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Get the Henry Wadsworth Longfellow translation: https://amzn.to/4wPbiK7 Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR Read my (various) reviews of Nolan's Odyssey: https://wapo.st/4wHArGy https://open.substack.com/pub/wsjfreeexpression/p/what-nolans-odyssey-leaves-out https://www.thefp.com/p/there-is-good-and-evil-christopher Bacchae: https://amzn.to/4fqwhMw Oresteia: https://amzn.to/4wdRGzI Clouds: https://amzn.to/4whfJhi Theban Plays: https://amzn.to/44ESdOX 00:00 Introduction 02:50 King Minos's Judgement – The Soul Laid Bare 20:35 Plato and the Myth of King Minos 29:43 Dante Enters the Second Circle: Lust 43:54 Doomed Lovers and Heroes, The Fallen to Lust 1:02:08 Details of the Longfellow Translation 1:04:21 Mailbag Question: Reading Recs

Hell is murky. Today we enter limbo, which is technically the least painful section of hell but actually leaves me with some of the toughest questions in the poem. What does Dante make--what do Christians in general make--of all the noble, wise, and humane people who apparently lived outside the reach of Christ? Were they outside His reach? Are human virtues enough to save us? If so, why aren't we doing better?? Dante, in his characteristic way, rachets these questions up to 11 and then moves through them subtly, confoundingly, and above all, beautifully. His poetry leads us to contemplate what it might look like for God's justice and God's mercy to become one. Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Read my review of Backrooms: https://www.thefp.com/p/the-kids-who-grew-up-online-are-coming-for-hollywood-backrooms Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR 00:00 Introduction 01:05 Canto 3: Hell's Vestibule 24:25 Appetites and Inhabitants of Hell 44:22 Tragedies of Futility and Fate 56:28 Mailbag: Meditations on Suffering 1:09:56 Closing Remarks

ABANDON ALL HOPE, YE WHO ENTER HERE: We've made it at last to the gates of hell, and we're on our way to the river of Acheron. On the way, we'll meet the "neutrals" and the cowards—those who never lived and have no names. From here on out, the poem becomes a horror movie. But in this episode, I want to show you just how deep the horror goes. Worms and flames are just the beginning: it's the spiritual deformities that the torments represent that make them truly chilling. Then, Dante goes off the chain in a set piece that establishes him as one of the all-time epic greats, as souls like fallen leaves come streaming down to the river of death. Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR 00:00 Introduction 01:05 Canto 3: Hell's Vestibule 24:25 Appetites and Inhabitants of Hell 44:22 Tragedies of Futility and Fate 56:28 Mailbag: Meditations on Suffering 1:09:56 Closing Remarks

Where can I find a woman like...Dante's girl? On this episode of Young Heretics, we finally get the high-fallutin' invocation of the Muses we've come to expect from any epic poem. But it's not enough! Dante needs more woman than the Muses can be...more grace, more truth, more light. And it comes from on high--first from the Virgin Mary, then Sainty Lucy, then finally his beautiful, his famous, his beloved Beatrice. Today we introduce this central figure in the Comedy, inspiration of Dante's career and "lady of his mind." We'll talk about the Muses, memory, and the communion of saints. And hopefully by the end, we'll see how much courtly love meant to the poets of this age--and how much, perhaps, it can mean to us. Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Chapters 00:00 Introduction 02:59 Dante's Girl 06:11 Invocation of the Muses 21:09 Beatrice and Saint Lucy 34:15 Courtly Love 50:32 Formal and Final Corner 1:01:14 Closing Remarks