Flashback: The Blacklist, Part 4: The African Queen, Humphrey Bogart and Katharine Hepburn
You Must Remember ThisShow Notes
This episode was originally released on March 1, 2016. Listen to help prep for the next episode of our new season,The Old Man is Still Alive. In the late 1940s, as the country was moving to the right and there was pressure on Hollywood to do the same, Katharine Hepburn, Humphrey Bogart and John Huston all protested HUAC in ways that damaged their public personas and their ability to work in Hollywood. Hepburn’s outspokenness resulted in headlines branding her a "Red" and, allegedly, audiences stoning her films. Bogart and Huston were prominent members of the Committee For the First Amendment, a group of Hollywood stars who came to Washington to support the Hollywood Ten -- and lived to regret it. With their career futures uncertain, the trio collaborated on the most difficult film any of them would ever make, The African Queen.
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Monty’s arc as a tragic romantic figure continues with I Confess and Terminal Station – even as his relationship with Libby becomes all consuming, in the decadent party scene at her secluded estate. Meanwhile, Libby brings her act singing black folk music to Broadway, but her dreams of renewed stardom turn out to be one thing money can’t buy. (00:00) Montgomery Clift’s Juggling Act (07:54) Partner Swapping with Paul Bowles (11:13) An American Tragedy vs. A Place in the Sun (16:09) I Confess (28:43) “Love relationships are ludicrous” (36:20) “Everything seemed erotic” (44:03) Blues, Ballads and Sin-Songs (50:49) Oedipal Overtones
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