Show Notes
Welcome to season 4 of Anthropology on Air! With autumn on the way in Bergen, we kick off a new season with a resident of another North Sea city: dr. Andrew Whitehouse. Andrew is a multispecies, environmental anthropologist and a lecturer in anthropology at the University of Aberdeen with a lifelong interest in birdwatching, the main topic of our conversation today. We begin with how Andrew’s own bird-watching – mostly carried out at his local ‘patch’ of Girdle Ness, a promontory next to Aberdeen harbour – informs the kind of anthropology he practices. We also discuss the role of bird sounds in people’s perceptions of environmental changes; how watching birds can give people a strong sense of place; the legacy of Rachel Carson’s Silent Spring (1962); the benefit for anthropologists of drawing on multispecies approaches, and much more. Andrew Whitehouse is co-editor of the book Landscapes Beyond Land (Berghahn Books, 2012) and the forthcoming volume More than Human Aging (Rutgers UP, 2024), and he has published extensively on various aspects of human-bird relations. Andrew’s articles have appeared in journals such as Environmental Humanities, Conservation and Society, Social Anthropology, The Swiss Journal of Musicology, and Sociological Review.
More from Anthropology on Air
In this episode, we speak with Assistant Professor of Environmental Humanities at the University of Copenhagen, Katy Overstreet. Katy is coordinator for the Landscapes, Senses, and Ecological Research Cluster as well as a core-member of the Centre for Sustainable Futures – both located at the University of Copenhagen. Katy’s core fields of research include multispecies ethnography, environmental anthropology, feminist STS, and agrarian political economy, and she has written on themes such as farm animal welfare, foodways, bioindustrialisation, technoscience, trans-species sensory worlds, and care.
In today’s episode, we talk to Tom Bratrud about his ongoing, long-term work with city-dwellers who migrate to rural parts of Norway. This research forms the basis of Tom’s forthcoming book project, which has the working title Rurality 2.0: Redefining Urban-Rural Divides in the Mountains of Norway.
In this episode, we speak with Alessandro Rippa about amber – a fossilised resin that not only allow us a glimpse into prehistoric lifeforms and climatic conditions millions of years ago but also works as an entry point into understanding current political, scientific, and commercial frictions.
In this episode, we are in company with Hans Lucht to talk about ethnographic poetry. Hans is a senior researcher, and the head of migration research at the Danish Institute for International Studies (DIIS) in Copenhagen. He has worked with migration for 20 years, with a special focus on undocumented labour-related migration from West Africa to Europe. He has conducted long-term fieldwork in Ghana, Niger, Libya, Italy, and Greece, and his prize-winning monograph ‘Darkness before Daybreak’ chronicles the lives of a group of migrants who travels from Ghana to Italy in search of work. Apart from his numerous academic contributions of articles and policy reports, Lucht is a writer, and poet, I should say. He has published two novels titled Onko-Mus and Lysene på den anden side and two collections of poems, all in his mother-tongue Danish. The first poetry collection, called Feltarbejde (Fieldwork) from 2022 is a poetic reflection on both the experiences of his interlocutors and the experience as a fieldworker. The second, Vores liv ryster (Our lives are shaking), came out in 2024 and consists of what Hans has called documentary poems. This means that all text of the poems is direct quotes from conversations and interviews with his interlocutors that Hans has then curated by following a few self-imposed dogmas. In today’s episode, Hans will read out loud five poems from this collection, all titled with a name of the one speaking and where the conversation took place. In between the readings, we ask Hans about what impressions inspired the poems, the dynamic of working between anthropology and art, and how each domain can inform and expand the insights of the other. We discuss the concept of ‘existential reciprocity’ in relation to his work, and how doing fieldwork engenders impressions and transformations that exceed academic analysis and extend into the lives of both interlocutors and fieldworkers. Resources: - Hans Lucht’s academic profile - Feltarbejde (2022) - Vores liv ryster (2024)
Welcome to a special two-episode series of Anthropology on Air!