
Show Notes
Kevin Flores has been part of the Design Better community for years — we first met him in 2017, while he was leading design at 23andMe, back when we were researching how design teams are structured for the Design Genome Project. So it’s a real pleasure to finally have him on the show to talk about his new book, Find Your Inner Rebel.
Find bonus content and more on our Substack:
The book is built around what Kevin calls his punk rock formula for career reinvention: resistance plus resilience equals reinvention. But don’t mistake the attitude for advice to quit your job. Kevin is candid that sometimes the smartest move is to hunker down, keep working toward change from where you are, and be ready when it comes, whether you choose it or it’s chosen for you.
Get the book
We talk about why strong generalists struggle to get hired (and how to fix it), why your personal brand matters more than ever when you’re competing against hundreds of applicants, and a simple test for your portfolio’s opening statement: swap in someone else’s name and photo and see if it still works.
As Kevin puts it, “you are the unique thing in the equation.” We also get into misalignment burnout, why designers should look beyond big tech to places like local government, and servant leadership.
Bio
Kevin Flores is a design leader, mentor, and author of Find Your Inner Rebel. He has built and led product and design teams in every work environment: agency, freelance, startup, and mid-to-large companies, including Verizon, 23andMe, and LinkedIn. He and his wife Jeanine met as design undergraduates at the University of Illinois and went on to co-found an interactive agency in Silicon Valley in the 1990s, and together they co-wrote the Design Career Handbook. Kevin spent six years as a mentor in First Round Capital’s Fast Track program, and serves as an industry advisor for design and user research for the Mission College Design and Diablo Valley College Digital Media joint advisory board. Learn more at innerrebelbook.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
More from Design Better
Tom Foley didn’t set out to design typefaces. As a postgraduate student at Central Saint Martins in London, he was researching why Ireland, unlike Switzerland, the Netherlands, or Germany, never seemed to have a confident typographic voice of its own.
In graduate school, Randy Hunt poured his heart and soul into a poster for Milton Glaser’s class, a picture built entirely from hand lettering that read as an image from across the room and as words up close. Glaser glanced at it, said, “Well, that’s not very good,” and moved on to the next student.
When Aarron was fresh out of grad school, working at an agency outside Philadelphia, he and his coworkers used to crowd around a monitor to study volumeone.com. Most websites back then had a picture, maybe an image map. Matt Owens’s site had 3D, animation, and experimental graphic design, and none of us could figure out how he made it.
Blaine Billingsley is a staff designer at OpenAI, and his path there was anything but a straight line. He studied music composition and comparative religion, played guitar in Texas for a living (he remembers checking his bank account, seeing seven dollars, and feeling pumped), then drove to San Francisco and took a data entry job at a startup.
In the mid-1950s, North Carolina was one of the poorest states in the country. Its economy ran on tobacco, furniture, and textiles — all three in decline — and its universities were turning out talent that promptly left for somewhere with better jobs.