Show Notes
Think like a normal, clean living man and join us for “Too Much Sex Fizz,” Episode 12 of The Sin Syndicate Podcast, where Gentry and Casey teleport to Dr. Breedlove’s laboratory high in the mountains of Broadaslavia for a well-rounded (ahem) discussion of director Pete Perry's 1964 monster mash nudie-cutie, “Kiss Me Quick!” In this episode we discuss the early career of legendary producer Harry Novak, the origins of the dumbest films ever made, and peek behind the pseudonymous curtain of Seymour Tuchus. Listen as Casey outs himself as a “Little” Jack Little apologist and Gentry gets schooled on the difference between a general release film and an adults only picture. Don’t forget to shoot your sexbomb into the pool before it explodes.
Links: Subscribe to our Patreon Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird Channel Listen to other podcasts on Someone's Favorite Productions Contact us: [email protected]
Timestamps: (00:00:31) Opening (00:01:32) Shannon's Women exists (00:04:12) Cathy Crowfoot news items (00:07:02) Intro to nudie-cuties (00:13:28) László Kovács MVP (00:17:20) Wonderful World of Girls (00:20:35) The Novak catalog (00:23:00) The Kiss Me Quick! production (00:25:32) Who is Pete Perry (00:33:30) Buckalew/Pete team (00:41:42) Breedlove's girls (00:47:20) The strange men (00:52:15) The surf rock (00:54:47) Monster Nudies (00:59:23) Sexist? (01:14:14) Our favorite nudie-cuties (01:23:18) Director of Peter's Pets (01:28:04) What's next
Links: Join the community on Patreon Instagram with us at The Sin Syndicate Follow us on Letterboxd: Gentry & Casey Check out the Something Weird Channel Listen to other podcasts on Someone's Favorite Productions Contact: [email protected]
More from The Sin Syndicate
This house is not a home, but all our friends are here. For the first in our Haunted House Duology for the 2026 Halloween season, The Syndicate is joined by the artist formerly known as Spicy Goldman to discuss a mad and mysterious transitioner distributed by "The Professionals" and directed by a red Corvette driving Edward D. Wood Jr.
Few women in "the industry" left more of an impression than the young, squirrelly, sometimes buxom, Rene Bond. Born Rene Ruth Bond on October 11, 1950, the Queen of Porn was one of the first superstars of the nascent, still-illegal industry. In this episode we chart Rene's relatively short but memorable career in both the hard and softcore adult film industry, with a special emphasis on her role in the Ed Wood-scribed women-on-the-run sex 'n action film, Fugitive Girls.
I hope you haven't forgotten your girl. We sure haven't. It's true, we will never stop talking about The All-American Girl, director Mark Haggard's 1972 coming-of-age, sex positive, Southern California masterpiece. We discussed the film at length in Episode 20, "Don't Forget Your Girl," have long been clammoring for a new home video release, and thus, were more than a little excited when we heard that the film was being screened on 35mm at the New Beverly Cinema in Los Angeles on Labor Day, 2026. Friend of the pod and enthusiastic Vinegar Syndromer Eli Olsberg was able to attend as our proxy, and joined us in this Short Ends episode to give his report. Keep your hankerchief on hand, it's going to get messy.
Can you afford the price? The film might call them hookers, but there is no hooking. Instead, in the 1967 anthology film, The Hookers, we are treated to three different stories dealing with three different ways in which the female body is sold and commodified, either by choice, or by coercion.
Here at the Sin Syndicate, we love websites. Not apps, not Substacks, not ad-filled modern forums, but websites. One of our favorites is Mondo Digital, the long-running project of Nathaniel Thompson, a long-time figure in the scene, whether it be moderating the Mobius Home Video Forum, covering genre cinema online and in print, contributing to disc releases, or working at Image Entertainment (not in that order). It's that last thing we wanted to talk with Nathaniel about, specifically around his work as part of Image in the period of the early aughts, which also coincided with the LA-based distribution company's partnership with Seattle's Something Weird Video.