Show Notes
Welcome to the PILOT EPISODE of True Tunes Connect, a new chapter in this continuing story that began back in 1989. Thirty years ago, I interviewed a freshly minted artist named Sheryl Crow for the pages of our old print magazine, True Tunes News, right as her first hit single was breaking. We had a feeling there was something deeper going on than "just having some fun." Turns out we were right. (Our Patreon members can find a digital reprint of that original article in their feed.) For this pilot, we're dropping in on a private event recently held near Lipscomb University that we called "Wisdom From The Well", where one of my Music Industry Studies students, Abby Whitman, sat down to interview Sheryl herself. I open the show, then hand her the mic — and she did a better job of it than I did three decades ago. A note for longtime listeners: True Tunes Connect isn't the classic True Tunes Podcast, though it comes from the same place. These episodes run shorter — usually 15 to 20 minutes — built around two things we care about most: developing artists, and developing the audiences who need them. The long-form conversations you remember haven't gone anywhere; they'll surface from time to time as Special Features, and the full extended interview (including the rest of this Sheryl Crow conversation) is available to our Patreon members (and coming soon to our Substack subscribers) at Patreon.com/TrueTunes and TrueTunes.Substack.com. We will also continue to throw super-short "Microdose" episodes into the feed, along with some @45RPM specials. But True Tunes Connect is a wider, more comprehensive project we are developing to connect artists to the ideas, inspiration, and resources they need, and listeners to the artists they love. It's about artist - and audience - development and connection, with expressions that include the podcast, articles, workshops, books, and gatherings. You'll hear about it all - including our creed - here on the pilot and in upcoming episodes. Spread the word! Find photos, links, and more on the full Show Notes Page at TrueTunes.com/Connect-Pilot
More from The True Tunes Podcast
SHERYL CROW & The Students, PART 2 (of 4) We’re jumping back into the conversation between Sheryl Crow and one of my Lipscomb Music Industry Studies students, Abby Whitman, recorded at a private event at The Well in Nashville. If you missed Part 1 (also the "Pilot" episode of this new show format), you’ll want to go check that out too, but you can listen to these in any order. In this segment, Abby asks Sheryl where she finds inspiration, how her definition of success has evolved over the years, and how her values as an artist shape her continuing work. You can hear the entire conversation by joining this project on Patreon at https://www.patreon.com/TrueTunes for as little as $5 per month. Members also get access to exclusive articles, livestream events, special audio content, special stuff from JJT's archives, and much more. And don't miss our new editorial feed at TrueTunes.Substack.com. Find the full Show Notes Page at TrueTunes.com/connect-Crow2
Big Beautiful Bruce Brown Special This show would not exist without the long, steady, wise guidance and technical prowess of music writer, radio veteran, and mixmaster extraordinaire, Bruce A. Brown. In this special, inside-out episode, we turn the microphone around. Host and podcast co-founder John J. Thompson sits down with Bruce in the “Virtual True Tunes Interview Suite” for a wide-ranging conversation about his life, his work, his passions, and the four-decade friendship behind this podcast. The conversation comes on the first anniversary of the Big Beautiful Bruce Brown Benefit, a two-hour streaming event held after Bruce's cancer diagnosis, where a slew of artists contributed home-recorded songs and testimonials. Together with Bruce's GoFundMe, the benefit raised roughly $20,000 toward the treatment costs insurance doesn't cover. Woven throughout this episode are clips of music from artists who benefit from friends, including Michael Roe, Terry Scott Taylor, Bill Mallonee, Bill Campbell, Dave Perkins, Glenn Kaiser, Phil Keaggy, Jimmy Abegg, The Choir, Chris Taylor, and others. There’s a lot more music, too! SUPPORT BRUCE Bruce's fundraiser remains open — costs have continued to mount in the year since the benefit. If this episode moved you, please consider putting a few bucks in the jar HERE. If you want to support the show more broadly, please join our Patreon community or drop us a one-time tip via PayPal, and check out our MERCH! And thank you for doing all the other stuff — leaving us ratings and reviews on Apple Podcasts, signing up for the email list, and subscribing to the weekly Spotify Mixtape. Spotify and Apple are great places to discover new music, but once you discover an artist you love, please support them with your dollars and your attention. (NOTE: Our friend and long-time supporter, David Bunker, is also in need of help as he is battling Lewy Body Disease. We are helping to host a special tribute event in Nashville on September 12th, and encourage you to give to his GoFundMe Campaign as well. More info can be found HERE.) MUSIC IN THIS EPISODE This episode features numerous exclusive musical clips from the “BBBBB” livestream, including: Jimmy Abegg; Phil Keaggy; Terry Scott Taylor; Michael Roe & Bruce Spencer; Kevin Max; The Choir; Bill Campbell; Phil Madeira Trio; Glenn Kaiser; Dave Perkins; Bill Mallonee (And a few words from Amy Grant & Steve Taylor) With additional musical excerpts from: The Sunshine Boys - We Need A Whole Lot More Of Jesus (And A Lot Less Rock & Roll) Daniel Amos - Divine Instant (instrumental mix) David Grisman - Shenandoah Breakdown Johnny Cash - Hey, Good Lookin’ The George Martin Orchestra - Can’t Buy Me Love Steve Taylor - Svengali (Remix) Russ Taff - If II Had My Way The Seekers (of St. Louis, MO) - Road of Life The Way - If You Will Believe Blessed Hope - Something More Jethro Tull - Bourée King Crimson - 21st Century Schizoid Man (Instrumental Mix); The Court of the Crimson King (Instrumental Mix) Daniel Amos - Everyone’s Fallen Down (Live Bootleg ’82 version) The Osmonds - Down By the Lazy River The Horace Silver Quintet - Song for My Father The Monkees - Early Morning Blues And Greens (Master Backing Track) The Charlie Peacock Jazz Quintet - Promise of Fellowship Kept Delirious - Deeper Natalie Bergman - Shine Your Light On Me Dexter Gordon - Have Yourself a Merry Little Christmas Ella Fitzgerald - Santa Claus Got Stuck In My Chimney Flo Price - Scene 1: Somewhere In Outer Space Above Planet Earth / It’s the Very Best Time of the Year Bruce Cockburn - Deer Dancing ‘Round a Broken Mirror; After the Rain Jacob Collier - You Can Close Your Eyes Mike Roe - Mercy Seat Bill Mallonee - Best Seat In the Room (Instrumental) Chris Taylor - Meditation (Melt Into Morning) Phil Keaggy - Noah’s Shuffle; Jam In The Side Pocket; Tiger Tail (Super Sessions!) (And possibly a few notes from Michael Roe & Mark Harmon - Spirits Flying Over Mt. Tamalpais and The C
We are back where we started, in more ways than one, with songwriter, artist, producer, and musician’s musician – Charlie Peacock. In this comprehensive conversation, recorded in person at Charlie’s home studio in Nashville, JJT and CP revisit his earliest days as a young musician in California. The release of his recent memoir, Roots and Rhythm, and an EP worth of previously unheard recordings from 1981 called The Kahne Sessions, frames this story of formation and transformation. We then follow the man as he becomes one of the most successful producers in the history of pop music. A special 30-minute Jukebox feature traces the evidence – from his earliest production work with The Choir and The 77s, to a Top 40 pop breakthrough, his discovery and launch of one of the great 90s alternative rock bands, and multiple Grammy Awards in the 2000s in the Americana and Folk space.
Millions have been impacted by Charlie Peacock's Grammy Award-winning production and songwriting work. A smaller, but devoted group has been with him since his days as a Sacramento-based alternative pop artist and member of the progressive Exit Records scene. But very few have ever heard the work he did prior to his 1983 debut, Lie Down In The Grass, until now. On the heels of the release of his expansive and revealing memoir Roots and Rhythm, Peacock just dropped a never-before-heard collection of songs he recorded in 1980 and 81 with the legendary rock producer David Kahne (later named among the 500 most important Rock Producers by Rolling Stone for his work with Regina Spektor, The Bangles, Paul McCartney, Fishbone, Lana Del Rey, Springsteen, Tony Bennett, Stevie Nicks and others.) The Kahne Sessions reveals a young diamond in the rough, and on this special episode Charlie takes us back to those early days in his career and puts it all into context. And there is a LOT more where this comes from. This conversation, recorded in person in Charlie's home studio, covered everything from his earliest days as a musician, to the transformation sobriety and faith brought to his work, to concerns he has over the ways commodification, dehumanization, and artificial intelligence are impacting the way today's artists are engaging with the work. That will all be coming soon, but we wanted to get THIS part - celebrating the release of The Kahne Sessions out to you right away. Be sure to subscribe to the show on whichever platform you prefer so you don't miss a beat. And if you missed our very first episode - way back in 2019 - it featured none other than Charlie Peacock. You can find that show HERE. For more information, including a list of all of the songs used on this episode, visit the show notes page at TrueTunes.com/CPKahneSessions If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our MERCH! Follow Charlie on Substack HERE: https://charliepeacock.substack.com/
In the final installment of our "True Tunes Live at Audiofeed 2025" series of 45RPM episodes, we listen in on John J. Thompson's speaking session dubbed "The Sound of Revolution." What does revolution sound like? What is countercultural music all about? This spirited conversation with a roomful of aspiring radicals provided some actionable perspective. (You'll have to forgive the challenging sound quality on this one. The tech was not in our favor. But it sounds much better than the boombox recordings we used to treasure after going to seminars at Cornerstone back in the day.) For more information, including a list of all of the songs used in this episode, visit the show notes page at TrueTunes.com/SoundOfRev If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our MERCH!