Show Notes
Definitely Not Vietnam Month rolls on with The Wild Bunch, a 1969 film so violent it had viewers throwing up in the foyer. Director Sam Peckinpah was clear that he wanted to bring the violence of war, especially the war in South East Asia, into cinemas, and if he had to fire live ammunition at his crew to do that, then he would. The film pioneered a wealth of new techniques, with fast cuts and slow motion evoking the chaos of combat. Is it a war film? Did it chance the course of a different 1969 Western? And will Duncan ever tell his friends about his podcast?
Next Week: Apocalypse Now. Drop us a line! Send comments and suggestions to [email protected].
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More from War Movie Theatre | for Fans of Classic War Films and Cinema History
Definitely Not Vietnam Month rolls on with a film about a US force with superior equipment and training going into a swamp, upsetting the locals, and being killed them. Yep, definitely not about Vietnam. Is this the first time that Nastiest Nazi has been won by a piece of geography? And who exactly are the baddies here?
Definitely Not Vietnam Month takes us to a galaxy far, far away as we discuss a 1977 film about a small resistance movement taking on and beating a powerful empire.
Definitely Not Vietnam Month opens with one of the greatest films ever to be made that definitely wasn't about the Vietnam War. Robert Altman's 1970 debut M*A*S*H was the tale of the 4077th Army hospital in the Korean - repeat Korean - War. It defied cinematic conventions, with no story arcs, overlapping dialogue, and a cynical attitude to life right from the opening song. The studio didn't expect much, but it was a critical and commercial hit, spawning a long-running sitcom and putting rocket boosters under the careers of not just Altman but also stars Donald Sutherland and Elliott Gould.
Near the top of any list of war films, Full Metal Jacket was Stanley Kubrick's bleak take on Vietnam. It gave us cinema's greatest drill sergeant, a script full of unforgettable lines, and an Asian country as it could only look if it had been filmed in an East London gasworks.
A rogue Russian submarine, heading for the US coast: does the captain plan to defect or start a nuclear war? Based on Tom Clancy's bestselling technothriller, this was a Cold War movie released just as the Cold War ended. Gripping from the first scene, it was a masterclass in film-making, helped by a stellar supporting cast, including Sam Neill and Tim Curry, both taken from us this year.