Show Notes
This week, Pete joins the pod to talk about his new special “Silly Silly Fun Boy,” work out more jokes, and of course roast Mike a lot more. The two discuss the concept of comedy justice, the benefits of a YouTube special, and why there’s no music for rich people. Plus, against all odds, Pete manages to slip in a piece of shameless self-promotion so shameful he asks Mike to cut it out afterwards.
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Comedian Jon Rudnitsky returns for another round of questions from listeners, this time about when to give up on a joke, what are the most underrated comedy towns in America, and a question from Meghan Trainor (yes, *the* Meghan Trainor). Mike and Jon talk about Jon’s upcoming special/tour documentary Special Boy, and they share stories from the gig in Nantucket they did together as a result of Jon’s last appearance on the podcast.
(Recorded June 2025) In 2012, Mike was invited his film Sleepwalk With Me at Pixar and he’s been friends with filmmaker Pete Docter ever since. Known for his directorial feats of greatness with Monsters, Inc., Up, Soul, and Inside Out, Pete Docter is now the Chief Creative Officer at Pixar. Pete walks Mike through the Pixar “draft” process for developing a story, and reveals the ups and downs of being a Pixar director. Pete shares stories of his time spent with Steve Jobs, George Lucas, and some of the original Disney animators. Plus, advice on giving (and receiving) creative notes, and the story of Pete’s Star Wars fan film he made when he was a kid.
Comedian Ariel Elias rose to prominence after a video of her chugging a beer that an angry heckler threw at her went viral. But the real story is more interesting, notably how Ariel drew on the incident for her act. Mike and Ariel talk about how to write jokes about upsetting experiences, and Ariel shares the highs and lows of her experiment writing one joke every day for a whole year.
Comedian, podcaster, and actor Stavros Halkias is having a moment right now but he’s been doing stand-up since he was 19 years old. Stavros talks with Mike about starting out in Baltimore and hitting rock bottom healthwise just as his career was skyrocketing. Stavros discusses acting in Bugonia and this summer’s Tony, a film that reflected Mike’s own real life experience working in a Cape Cod restaurant. Plus, Mike and Stavros decide which accent is worse—Boston or Baltimore—and what Stavros means when he says he wants to go “Birbiglia mode.”