Klara and the Sun

Emily loved Clayface. Monika did not love Clayface. But she also didn’t hate it (which is honestly much more annoying?) This week we’re talking about DC’s extremely gooey villain origin story, a movie with a clunky script, some genuinely great body horror, and enough cool shape-shifting stuff to keep Monika from fully turning against it. We get into why Emily apparently loves origin stories despite having no interest whatsoever in comic book movies, why the actors are doing a lot of heavy lifting here, Matt Hagen’s descent from charming movie star to sewer-dwelling pile of skin, and the important question of what technically qualifies as a jump scare. Plus Monika gives her thoughts on Street Fighter, Emily reports on The Devils, and we disagree about the new Sense and Sensibility. Spoilers for Clayface!

The biggest movie event of the year that was only announced a few weeks before its release has finally arrived. Nathan Fielder's Elizabeth Holmes documentary is as fascinating a project in execution as it is a log line, and we're very excited to talk about it this week. The movie's three hour runtime spans several years and several states as it digs into the truly strange people at its center. Emily and Monika disagree many times on what a situation really means, and that's the fun of it, because literally no one knows what's true, not even the filmmakers themselves. ***** SPOILERS FOR YOU CAN SEE EVERYTHING THROUGHOUT THIS EPISODE Join the conversation with us below: Email us [email protected] https://www.instagram.com/mediumliterate/ https://www.tiktok.com/@mediumliterate https://www.youtube.com/@MediumLiterate https://www.patreon.com/c/mediumliterate Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/christian-larssen/happy-street License code: B9EXR1D9EIBQLKXT

This week we’re talking about Whalefall, the surprisingly sincere survival drama starring Austin Abrams and Josh Brolin that takes a pretty ridiculous premise and turns it into a moving story about fathers, sons, grief and maybe most importantly: how much we should respect and fear the ocean. We get into why the father-son story actually worked for us, Austin Abrams’ continued reign as our nation’s foremost "talking-to-himself" actor, Josh Brolin’s natural gift for playing a salty sea dog, and the strange tenderness of watching a man slowly develop an emotional connection with the whale whose stomach he is currently trapped inside. Plus: Monika give her full 4DX report because she experienced it for the first time. What's it like to cry while your chair violently shakes and sprays water in your face? Monika can now answer that! Major spoilers for Whalefall throughout. Join the conversation with us below: Email us [email protected] https://www.instagram.com/mediumliterate/ https://www.tiktok.com/@mediumliterate https://www.youtube.com/@MediumLiterate https://www.patreon.com/c/mediumliterate Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/christian-larssen/happy-street License code: B9EXR1D9EIBQLKXT

It's not Mother's Day... it's Mommy Week at the Movies. Monika and Emily discuss two very different films: the Jessica Chastain-led horror Other Mommy, and the family drama/action thriller Your Mother Your Mother Your Mother starring Mahershala Ali. Monika has a shocking opinion on Other Mommy, and Emily lays out the differences between the movie and the book it's based on, Incidents Around the House. Then it's onto Your Mother Your Mother Your Mother, a really clever, original version of a hitman-in-a-bad-situation story, with some really beautiful character dynamics. ***Major spoilers for both films*** 02:33 Other Mommy 43:27 Your Mother Your Mother Your Mother

LET'S GET READY TO RECKON. This week we're talking about The Social Reckoning, the long awaited follow-up to 2010's The Social Network. This time it's Oops All Aaron Sorkin, and the results... aren't great. Emily and Monika talk about their tech takes, the silicon valley movie and miniseries industrial complex, the surprise cameo from January 6th, the insane score, and why this movie just doesn't work in our current landscape, or possibly any landscape at any point.