Show Notes
This episode we talk about two unclassifiable pieces of nightmare art from the darkest corners of the scum cinema cannon, both of which were released over a decade after the conclusion of principal photography when key members of cast and crew had long since died. It's an understandable struggle to imagine a film more strange and cursed that Andrew Getty's passion project The Evil Within but that's why it took a special kind of mind to imagine Flexing With Monty.
More from Live At The Death Factory
Projector's broken, welcome to season 2.
We talk about Red Rooms, an unflinching, unforthcoming (meta???) scum classic about a woman who attends the trial of an internet murderer in Montreal.
We talk about Alien Report, a great film about when people stand too close to you.
The Scary of Sixty-First and Toolbox Murders, two films where the regular horror of having a landlord is compounded by moving into a building that lives as a summary of the rotten, putrid evil at work at the highest levels of power.