A Modern Amp With Shockingly Vintage Feel!

This week we’re checking out a fuzz that’s been on Joe’s radar for a while — the Isle of Tone Haze 67, a boutique, late-’60s-inspired Fuzz Face-style pedal from our buddies at Isle of Tone in Austria. If you’ve ever wondered what happens when vintage-nerd obsession meets “let’s build it properly,” this one’s for you. We crack it open, nerd out on what’s inside (yes, it’s a Hammond box, yes, we’re those guys), talk germanium vs silicon myths, and mess with the pedal’s resistor control to chan...

If you’ve ever gone down the rabbit hole of elite session guitar tones, you’ve definitely heard a James Tyler guitar — even if you didn’t know it. Built by master luthier James Tyler, James Tyler Guitars have earned a near-mythical reputation among professional players. These instruments aren’t just boutique — they’re legendary. Known for their bold aesthetics, ultra-playable necks, and incredibly versatile electronics, Tyler guitars have become a secret weapon for some of the greatest sessi...

In this episode of The Golden Age of Gear, we’re diving deep into the world of guitar speakers with the launch of the new Revv Amplification Classic Series speakers. Join us as we discuss the extensive prototyping process behind the RV90 and RV30, developed in collaboration with WGS to capture the best qualities of our favorite vintage and modern speakers. We’ll break down the sonic differences between the two, share the story of how a year of blind testing led to their creation, and put them...

In this episode of The Golden Age of Gear, we go deep into Gretsch land. Joey pulls out his vintage 1964 Chet Atkins Tennessean—a family heirloom from his dad, who modded it with TV Jones pickups, different wiring, and those famously cheesy-but-awesome painted-on F-holes. Derek brings in his modern White Falcon, a guitar he originally didn’t even want (he was chasing the classic orange 6120) until this one completely changed his mind the second he picked it up.

In this episode we’re talking dream guitars: the ones we obsessed over as teenagers, the ones we finally managed to buy, and the ones that still haunt our wishlists. We dig into a 1998 USA Peavey Wolfgang that served as a number one guitar for years, how it compares to the Ernie Ball/Music Man Van Halen model (now the Axis), and where the EVH Wolfgang and the striped Frankenstein-style Strat fit into Eddie’s signature lineage. Along the way we get into neck shapes, bird’s-eye maple, Floyd Ros...