Show Notes
After some chit-chat about teleporting FEMA officials and Bigfoot folks with heels dug in, we have a fascinating talk with Jacob Shaw. One of the very few people studying and teaching the intersection of caricature art and neuroscience, Jacob geeks out with Celestia and Ben about what he calls the most psychological art form. There are many points of interest that overlap with skepticism, from pareidolia to the reliability of our perception to a well-known middle school ritual in front of a darkened bathroom mirror. We also ruminate on the power of caricature as propaganda, how it has been weaponized in modern history, and how we can separate the art from its complicated past.
More from Squaring the Strange
This episode is really a trickster triptych! Just in time for trick-or-treating, we look at three tricksters in popular media right now: Holmes, Patterson, and Castaneda. First, an old friend has some thoughts on the Department of Health and Human Services gathering data on potential EMF harms. Celestia is giddy about how the new documentary "You Can See Everything" pushed all her buttons, and Matt Crowley stops by to talk about Marq Evans's film "Capturing Bigfoot," newly out in limited release and on Amazon Prime for streaming. Then Ben and Celestia have an in-depth talk with author Ru Marshall about their comprehensive biography of Carlos Castaneda, a literary hoaxer who took the psychedelic generation by storm and later inspired what appears to be a bizarre cult suicide near Pahrump, Nevada in the late 1990s. His books purported to share indigenous wisdom from a "Don Juan" figure that could unlock immortality, a fiction Castaneda presented as anthropology to eager academics in Southern California. His propensity for power, control and never-ending lies has eerie parallels with the Trump era we are now facing.
First, Ben and Celestia chat about current events involving clowns, Noah's ark, psychics, measles, moon hoaxes, and more. Then we welcome Sharon Hill and Darren Naish, both of whom published books on cryptozoology and monster hunting around a decade ago. We talk about the evolution of that field, including the depletion of actual experts and rise of influencers in their place. Monsters and cryptids have come to represent a sense of community and local pride, artistic and pop culture expression, and a fantasy escapism from news and everyday life. In many ways, we are living through a similar period America went through in the 1970s. We hit on the "paranormal unified field theory" and the "scientification" of folklore. How is the rise in dogmen sightings connected to Bigfoot, and how have debunkings and evidence affected the community?
After some current events discussion about AI images in real estate and RFK Jr. mentioning chemtrails, we welcome friend of the podcast Amy Frushour Kelly. She's a longtime editor turned AI writing consultant, and has watched what the new models have done to the average editor's workload. We ask some questions on what AI writing means in terms of authenticity, honesty, and contractual obligations. How accurate are the tools that supposedly determine whether something has been written with AI, and what makes humans "get a feeling" something has been crafted by an LLM? Fair warning: we three editors end up getting really geeky about our craft in a few places. And we also get philosophical: what does AI writing mean to the future of cultural transaction and complex thought itself?
First, we recount a tiny bit of the beautiful chaos that was Dragon Con. Then, after a few current event tidbits related to 9-11, we are joined by Andy Taylor of Geekshock and (retired Klingon) Paul Mattingly of Matt & Mattingly's Ice Cream Social. With our geeky nerd power tripled, we discuss all flavors of sci-fi and how various franchises have approached critical thinking, gullibility and other skeptic-adjacent topics. Does Kubrick's dense cinematic style attract lovers of conspiracy thinking and, thus, invite moon hoax theories? Did the communicator really inspire the flip-phone? How much of the Nostradamus-like predictions in sci-fi are simply due to the writers being keyed into pop culture, the latest scientific advances and common sense?
First, housekeeping about our upcoming visit to DragonCon in Atlanta next week (come say hello if you plan on going!). Ben and Celestia lament the latest measles news, pay respects to Dolly Parton and Tim Curry, and discuss the ever-present "rule of threes" when it comes to celebrity deaths. Then for our main topic Ben talks about Jose Escamilla and his decades-long obsession with what he termed "Roswell rods" or "skyfish." They were an ill-defined phenomenon, somewhere between UFOs, interdimensional cryptids, and light-speed bacteria. Still, Escamilla took them seriously enough to make several films and set up scientific-ish protocols to guide his research -- which, weirdly, led him to Tiger Woods. A unique thing about Roswell Rods is that even the fringe believers couldn't quite swallow this particular mystery, leading to a public debunking by Joe Rogan himself. So, what can we learn from Escamilla and the strange, short life of Roswell rods?