Show Notes
Mick Taylor is gone, having quit shortly after the release of It's Only Rock & Roll. While he wasn't a huge fixture on that album, he helped to provide some of its most memorable moments. With Keith Richards sinking further into addiction-related absence, it was a fair question to ask what would become of the Rolling Stones musically in the mid-70s.
Black and Blue saw the band going through the process of auditioning guitar players to replace Taylor, and it showed. Three new lead or second guitarists make major contributions on this album, and their musical contributions ran the gamut of rock and roll. But there are other influences here of note. The production is much cleaner and more focused than on the previous album, the songs are largely more thought-out, and the influences from other realms of pop music are starting to really make a mark on the sound of the band. You hear elements of funk, disco, synth-driven balladry, and reggae all over this album, making it a pretty eclectic musical experience.
But does all of that make it better than its relatively low-key reputation? We go track-by-track through the album and talk about how it sounds, on this latest episode of Cosmic America.
More from Cosmic America
Galen is back with more track talk, as we induct several new songs into the CrimsonCast Music Companion playlist on Spotify, including: In The Meantime by Spacehog Take Me Out by Franz Ferdinand Impossible Weight by Deep Sea Diver Lake Superior by The Arcs Walk Away by James Gang Dripfield by Goose Kilby Girl by The Backseat Lovers The Bend by Real Estate
A soft relaunch of Cosmic America, as Galen talks through four new additions to the CrimsonCast Music Companion, which you can follow on Spotify.
Cosmic America is back for a limited time! Galen Clavio invites Jeremy Gray on the podcast for a look back at the 1980s in music, as both of us give our Top 20 songs from the decade. In classic Cosmic America fashion, we listen to the songs all the way through while we break them down, talking through what made each of the picks special to us, as well as what they represented in pop culture and music culture at the time. Through 96 minutes of discussion, we cover everything from Prince to Phil Collins, A-Ha to the Psychedelic Furs, Guns n Roses to Michael Jackson, Tears for Fears to Def Leppard. There are some difficult omissions, and some surprise inclusions. Let us know what your own personal top 20 lists for the 1980s look like!
Our last review in the Steely Dan catalogue finds us in 2003, as we evaluate "Everything Must Go". There are some good moments, for sure! But there's also some questions. While Two Against Nature succeeded modernizing both the jazz sound and the lyrical inspirations of the classic Steely Dan formula, Everything Must Go comes up a bit short in both. It's absolutely not a bad album, but it ends up being a bit disappointing --- especially since it's the last album in the official canon. And while we'd go on to get some more solo albums and band tours, this ends up being the end of the road for the Dan's recording career.
After the surprise live show reunion of the mid-1990s, it felt like only a matter of time before Steely Dan were reconstituted as a studio act. And while it would take until 2000 for that to actually come to fruition, the result ended up being...pretty good, all things considered!