Show Notes
Two of our comedy heroes putting the world to rights? Oh, go on then.
Stew and Josie talk political activism in comedy, and pessimism of the intellect vs optimism of the will. How does one engage revolutionary optimism, and when did Josie come to realise that her comedy shows have been doing just that? They discuss the desire for physical media and the impermanence of "clip comedy", and how to ride out the storm. They ask "What do artists do with the document of what they do?" and lament the thankless work of blazing a trail.
More from The Green Man Podcast
The worlds of pop and rock owe a much greater debt to the classical canon than we realise. A direct and fascinating lineage draws from the experimentalism of Pierre Henry to The Beatles’ Tomorrow Never Knows, from Stockhausen to Donna Summer’s I Feel Love. In her new book Everything We Do is Music, Elizabeth Alker shines a light on the fertile ground that exists between the borders of classical music and pop. Elizabeth is in conversation with broadcaster Huw Stephens.
Power, resistance, and the race to save our world.
Cameron Picton is the former black midi guitarist and bassist and his new project, My New Band Believe, has hit upon a sound that could have taken multiple albums to establish. The debut album released in April is urgent and jangly, almost tripping over itself in its eagerness to be heard.
In his astonishing and subversive memoir, Bless Me Father, Kevin Rowland lays bare his unvarnished life story for the very first time. From the juvenile courts of his troubled teenage years to the early days of the New Romantic scene in the late ’70s and beyond, he recounts his darkest hours, deepest desires and greatest joys. Back with a new album as Dexys Midnight Runners, Kevin Rowland is joined in conversation with journalist and broadcaster Sophie Williams.
Green Man Rising winner tall child — aka London-based Nigerian-Indian songwriter Zha Gandhi and their band — melds intense, stormy emotion and grungy riffs with sweet melody and happy-go-lucky indie jangle, to irresistible effect. The name “tall child” comes from a Mitski lyric: a marked influence, together with Radiohead, Arlo Parks, and Rachel Chinouriri. tall child released their debut EP Somehow You Grow last year, on which they grow like a tall tree and rise above the challenges of being a queer, disabled, POC indie artist.