Show Notes
“Their gags are paralysing. Sometimes the director has to let everybody have five minutes’ rest, so that we can laugh the laughs out.” (Pamela Thomas, supporting cast)
In 1956 a short film was released which with hindsight was probably the most successful Goon Show celluloid transfer, despite only featuring two-thirds of the team. Ironically, it wasn't even intended for theatre release but a lack of interest by US television networks nixed any further forays so it ended up as a cinematic supporting feature.
The Case of the Mukkinese Battle-Horn (an early working title was The Yard Has Three Feet) starred Peter Sellers as Superintendent Quilt and Spike Milligan as Sgt Brown plus honorary Goon Dick Emery as Nodule, a museum curator. All three appear in multiple guises, including Sellers as Henry Crun, Milligan as Eccles and Emery as Maurice Ponque.
Joining Tyler this week to talk about the background to the film, including the revelation that it sprang from The Adventures of Robin Hood on television and that Harry Secombe's absence could at least be partly laid at the door of Jimmy Grafton, is returning guest Chris Diamond.
More from Goon Pod
The Queen in America, Eurovision, Elvis, knitting a Spon, a Russian Love Song, Harry Rocking the Town! - it's all here this week! Plus: how much do we love Moriarty, a glaring goof and Watch That Tiger!
Jet Storm, also known as Jet Stream or Killing Urge, is a British thriller directed and co-written by Cy Endfield and starring Richard Attenborough, Stanley Baker, Patrick Allen and Virginia Maskell. It is an early example of what would become the aviation disaster-film genre, preceding films such as Airport by more than a decade. Released in October 1959, it centres almost entirely on a transatlantic flight from London to New York and the psychological and moral crisis that develops among its passengers when one of them threatens to destroy the aircraft.
Broadcast on Channel 4 on 2nd December 1985, The Last Laugh Before TV-am was Spike Milligan’s attempt to bring his particular vein of humour to a new generation... although very little about it suggested that Milligan had changed his approach since the early Q series.