Show Notes
Wesley Morris is an unabashed believer in the Oscars. That they genuinely matter.
Every year, he has to re-convince his friend, Sasha Weiss, the culture editor for The New York Times Magazine. This year, of course, there’s the “One Battle After Another” versus “Sinners” of it all. And there’s a lot there. But also, what happened to “Marty Supreme” and poor Timothée Chalamet? And is it possible that “KPop Demon Hunters” took home Best Animated Feature Film and Best Original Song and still, somehow … got robbed? Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher.
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More from Cannonball with Wesley Morris
This week’s episode will be about the New York Times list of the 100 Best TV Shows of the 21st Century (full list here). See you tomorrow!
Singer-songwriter Ella Langley’s country tune “Choosin’ Texas” entered the Billboard Hot 100 chart last November, and it hasn’t left. It’s just tied the record for the most nonconsecutive weeks at No. 1: 22 . (Sorry, Mariah Carey.)
It has been 25 years since the attacks on Sept. 11, 2001, and Wesley has been reflecting on what has changed since then — particularly when it comes to comedy.
This year’s summer movie season proved that the “Toy Story” franchise still has some juice, that “The Odyssey” can spark endless debates, and that “The Invite” might be the sleeper film of the year.
Anita Baker’s second album, “Rapture,” was released in 1986 and became a breakout hit for the R & B singer from Detroit, winning two Grammys and selling eight million copies worldwide. The album’s eight tracks defined her signature sound — what Baker liked to call “fireside love songs with jazz overtones” — and solidified her as a giant of the Quiet Storm radio era.