Songwriter Theory

5 Songwriting Sessions That Will Change Everything

Songwriter Theory

Show Notes

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/

Transcript:

Something I think songwriters don't talk about enough are songwriting sessions, because not every songwriting session looks the same or should look the same. In fact, I think there are a lot of different types of songwriting sessions, and most of the time a successful songwriting session is one with a pretty specific goal, not just something like, "I'm going to work on song X." I don't think that is specific enough. So in this episode of the Songwriting Theory Podcast, we are going to talk about five different songwriting sessions that will change everything. Let's talk about it.

Hello, friend. Welcome to another episode of the Songwriting Theory Podcast. I'm your host, as always, Joseph Adala. I'm honored that you take some time out of your busy day, your busy week, to talk songwriting with me. It's coming out a bit later than usual, but I was sick with the flu for a week, so that's why this got delayed. And my apologies in advance for any coughing. I will be sure to try to do it not into the mic or anything, but still recovering from that. If you haven't already, be sure to grab my free guide, "20 Different Ways to Start Writing a Song," because a great way to make sure you don't get creatively stuck is simply by starting in different spots, starting with different things, not always starting with a chord progression, not always starting with a bass line, not always starting with lyrics, not always starting with music. Sometimes changing it up is a great way to stay creatively fresh and get some different results with your songs. There's something I don't talk about probably as much as I should, but these aren't just 20 ways to start a song, but they can be 20 different ways to start any given song section. So if you wrote your first verse, and that first verse is built off of a sweet bass line, that's how you started your song, and now you're sort of stuck on the chorus, or you're trying to figure out where the chorus needs to go, you can again go to 20 different ways to start writing a song, but in this case you're actually starting a song section, because just because you started the verse with the bass line doesn't mean that you can't start your chorus with something different, like your melody or with the piano riff or something else.

So let's talk about these five different song... so be sure to check that out. It's at songwritingtheory.com slash free guide. So let's talk about these different songwriting sessions. We'll start with the beginning, and that is simply an idea gathering session. And the beauty of these is, first of all, they're fun, and it's just a great way to get really excited about songwriting. If you're stuck on songs, just going back to basics and sitting down with only the intent of gathering ideas. There's something beautiful about the lack of pressure that you have when you know that you are sitting down just to come up with ideas. You don't need to care whether they're good ideas, you're just trying to get as many ideas as possible. And also the lack of pressure that you know you're not trying to come up with an idea so that you can write a song 10 minutes later off of that idea. It just frees you up to think of more ideas, to possibly think outside the box a little bit more.

So be sure to check that out at songwritingtheory.com slash free guide. So let's dive into the songwriting sessions that we are talking about. The first one is right at the beginning. It's an idea gathering songwriting session. And you can even argue this isn't really even a songwriting session because it's sort of a pre-songwriting session or as sometimes I like to think of it a song developing session.

And really that wording comes from a lot of times in movies they'll say like a movie is in development and what that means, what that usually refers to is the process before you actually start making the

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