Dorothy Dandridge, Part 1: A Star of Her Own Making — Baptism by Show Business, Carmen Jones, and a Historic Oscar Nomination
When They Were Making ItShow Notes
Dorothy Dandridge was one of the most electrifying talents Hollywood ever tried to contain — a trailblazing performer who would become the first Black woman nominated for a Best Actress Oscar, and whose story began long before anyone in Hollywood was paying attention. From a childhood spent on the road — singing and dancing through segregated churches and theaters across the South before she'd even learned to read — to performing at the Cotton Club by sixteen, Dandridge spent her early years chasing a stage of her own. While still a teenager, she'd walked away from the singing trio that had defined her childhood to chase something Hollywood almost never gave Black actresses: real, dramatic roles. Part 1 of our two-part series on Dorothy Dandridge follows her from a Depression-era childhood split between a controlling guardian and a mother chasing her own Hollywood break, through the Dandridge Sisters' years on the Cotton Club stage, in films like The Big Broadcast of 1936 and A Day at the Races, and on a European tour disrupted by the outbreak of World War II. It follows her star-making specialty number in Sun Valley Serenade alongside the Nicholas Brothers, and back to the one thing she'd wanted all along: training at the integrated Actors' Lab alongside a young Marilyn Monroe, and taking the small, hard-won dramatic parts — including her first starring film role in Four Shall Die and MGM's Bright Road — that would eventually put her in the running for the role of a lifetime: Carmen Jones. The episode also traces her tumultuous personal life — her marriage to star Harold Nicholas, the birth of her daughter Lynn, and the devastating diagnosis that would shape the rest of Dandridge's life. This is the story of a woman who spent her childhood performing for other people's whims — and spent her adulthood fighting to perform on her own terms.
Part 2 of our two-part series on Dorothy Dandridge releases next Tuesday, August 18.
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When They Were Making It is written, produced, and hosted by Patrick Rankin. Original artwork by Simone Beech and original music by Lionel Ziblat. Join WTWMI: The Backlot — our Patreon — for exclusive extras including mini and full-length bonus episodes, episode companion pieces, and behind-the-scenes materials at https://www.patreon.com/WhenTheyWereMakingIt.
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