.jpg)
Show Notes
CRATERY 46: The OST Sequel (Session A)
In February 2010, we dropped Cratery 14, our first ever double-episode dedicated to exclusively to the OST: Original Soundtrack. But like all successful franchises, we couldn’t resist a sequel. Two years later, we return with back-to-back podcasts highlighting our love for compositions from film and TV shows past. Some you might recognize: Lalo Schifrin’s Bullitt, Monk Higgins’ Sheba Baby and Barry White’s Together Brothers. Others, less so: the fuzzed out Korean vibes from The Stars Heavenly Home, the sleazy psychedelic funk of Viens, mon amour and Osanna’s proggy masterpiece Milano Calibro 9 aren’t as easy to find in your local record store. But then again, they probably weren’t easy to find in your local movie theatre back in the day, either. Cratery 46 has arrived. To quote the Timothy Leary film of the same name, we invite you to turn on, tune in and drop out. This is one sequel we promise won’t suck.
— ARCEE
TRACKLIST:
1. Turn on tune in drop out
2. Experiment in Terror
3. Angel, angel, down we go
4. The Stars Heavenly Home
5. Together Brothers
6. Wild in the streets
7. 3 days of the Condor
8. Hanged Man
9. Fragment of fear
10. Melinda
11. Chapeau Melon et Bottes de Cuir
12. On any Sunday
13. Viens, mon amour
14. Bullitt
15. Winter Woman
16. Milano Calibro 9
17. The Summertime Killer
18. Once Again
19. The Soul of Nigger Charley
20. Sheba Baby
21. Fritz the Cat
22. Three the hard way
23. The Electric Company
24. Cornbread, Earl and Me
Subscribe on iTunes
Download It Here!
(right click save as…)
Stream:
http://media.blubrry.com/cratery/www.CRATERY.com/AUDIO/Cratery_46a_OST_II.mp3
More from CRATERY
I first met Mr. Attic at York University’s 105.5 FM in ’95. It was my first year attending York and my favourite pastime had quickly become loitering around the campus/community radio station before, between and after classes. One of my favourite shows was called “Soul by the Pound” – a program dedicated to playing the soul, jazz, funk and rock songs that inspired the hip-hop songs of the era. Show creator Jeremy “Beatdawg” Weisfeld would blow my mind every week with source material for my favourite Pete Rock, Tribe and Large Professor songs with a level of insider knowledge I hadn’t encountered up until that point. It wasn’t long before pestering Jeremy on the phone every 5 mins for song titles turned into hanging out at the station and pestering him in person.
David Axelrod would have probably scoffed at this tribute.
One of the simple pleasures of being a rap fan is the passionate level of debate and analysis you can engage in with a fellow nerd at any given moment around any given album – old or new.
It’s funny to think I wouldn’t be typing these words right now if Kaewonder hadn’t asked me the question “Do you follow that dude @mastersihn on Instagram”?