
Show Notes
Clatter Tongue by K.A Ren Wyld You’ll hear a live reading of a short story written by Ren Wyld and performed by Katie Becket for Story Saloon – a live storytelling show and podcast. The story itself comes from the First Nation Anthology of speculative fiction, titled This All Come Back Now, edited by Koori and Lebanese writer Dr Mykaela Saunders. This interplay between voice and voicelessness. The juxtaposition of the fantastic with the real world. Tackles the larger question of empowerment and disempowerment. Written by K.A Ren Wyld, Read by Katie Beckett. It was performed at the Vanguard in 2025 for StorySALOON, a live storytelling show and podcast that combines Australia’s best written storytelling with electrifying live reads.
StorySALOON’s executive producer is Jane Messer, audio recording by Martin Gallagher at Echidna Audio. Find out more by heading to storysaloon.com.au Also, a link to the last time we featured a StorySALOON live reading.
All The Best Credits Program Manager & Host: Kwame Slusher Executive Producer: Melanie Bakewell Programming & Community Coordinator: Catarina Fraga Matos Community Coordinator: Patrick McKenzie Theme Music composed by Shining Bird Mixed & Compiled: Emma Higgins Cover Art: Ray Vo Special shout-out to our volunteers. See omnystudio.com/listener for privacy information.
More from All The Best
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There is this Tolstoy quote from Anna Karenina, "All Happy families are alike; each unhappy family is unhappy in its own way." I've always struggled with this binary. This idea of happiness or unhappiness as somehow being fixed states. No nuance. I think real families, ones outside Russian fiction, exist on a more complex spectrum.
This week we are featuring our first story from our Jesse Cox Audio Fellowship 2026! More than 15 Years ago, Jesse Cox co-developed an incredible audio narrative program on fbi.radio called All The Best. JCAF is an audio mentorship program, pretty one-of-a-kind, championing the kind of work and spirit our show's co-founder upheld and honouring his legacy.
Sooooo ... the best way to think of this episode is a bit like Mary Shelley's Frankenstein. But instead of there being a bereaved scientist obsessed with resurrection, we have a monster of a story stuck together from different audio body parts made by audio makers from all over the world. Our Programming and Community Coordinator Catarina Fraga Matos breaks down the way the audio corpse works: