Show Notes
You know it goes. You make your first movie and you catch the filmmaking bug. Next thing you know, you're working as a PA and breaking into your department of choice and it's not too long before you're as grumpy as the guys that mentored you. For Dan Kanes, this trajectory changed for him when he went to see "Punch Drunk Love" and he fell in love with the look of anamorphic lenses. You would think the path to becoming a CEO would start right there but Dan decided to take a few side quests while also working as a set lighting technician. Join us as we talk with Dan about his side hustle of designing camera carts with renowned DP Erik Messerschmidt, starting the wireless video company Paralinx, and using the earnings from that company's sale to launch one of the most innovative lenses companies to date. ----- Buy us a drink!
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Patrick Lawler has had anything but a traditional career in filmmaking. What started with making skate videos and teaching himself After Effects eventually led to directing music videos, buying one of the earliest RED cameras, teaching himself motion graphics, making NFTs, and eventually finding his way back to music videos. Tune in as we talk to Patrick about following whatever creative opportunity comes next, reinventing himself when one path stops working, and how an obsession with learning new tools has allowed him to build a career in some very unexpected places. ----- Buy us a drink!
Natasha Braier's passion for cinematography began with a roll of 110 film that she got while on a family vacation. Her humble beginnings in Argentina informed her resourcefulness with the medium. With Deep Light, Natasha is tapping into years of experience to provide the tools to the next generation of DPs so that they can navigate on set politics and other responsibilities you don't learn about in film school. Tune in as we chat with Natasha about shooting The Neon Demon chronologically and the camera setups required to work on I Love Boosters. ----- Buy us a drink!
Skydiving cinematographer Joe Jennings has been jumping out of planes for fun since the early 90s. For some people that might be enough adrenaline, but Joe needed another task while plummeting to the ground. Throughout his career, Joe has captured some incredible shots with his former X Games skydiving partner Rob Harris, an iconic Superbowl Pepsi commercial, and for feature films like Point Break. Tune in as we get nerdy with Joe and ask about his skydiving helmet rig and all the pressures that come with rolling on a camera during freefall. ----- Buy us a drink!
WARNING: This episode includes SPOILERS from Macon's new film "IDIOTS", in theaters now.
Long before he was building wacky props for Boots Riley's "I Love Boosters", Christopher was storyboarding for commercials and feature films. His work has given him the opportunity to work with directors such as Sam Raimi, Ang Lee, Ron Howard, Spike Jonze, and more! Today, Christopher's love for film is expressed in the ability to create the suspension of disbelief through practical set builds and VFX elements. Tune in as we chat with Christopher about his career blending physical with virtual and why he keeps turning down the opportunity to work with Jon Favreau. ----- Buy us a drink!