
Show Notes
Connect with us on Patreon [https://www.patreon.com/c/deathphotopod].
DPP journeys to the Garden State, and Chase's political domain, this week — that's right, we're covering slacker favourites Clerks (1994) and Clerks II (2006).
Directed by Kevin Smith, these films explore what it's like to spend a decade working marginal, dead-end jobs, without actively identifying oneself as marginal or a failure, because you've got your friends, pop culture, and ever-present escape routes.
Were the lifestyles exhibited in Smith's oeuvre only possible during a brief period at the end of history?
Find out in today's episode.
More from Death is a Photograph
Patreon here. [https://www.patreon.com/c/deathphotopod]
After a year, your hosts are ready to wrap Gen X. Season One is at a close. What did we learn about the self-professedly forgotten generation? What has Banksy to do with the spirit of the age? And, most importantly we answer the question that started it all: how did the dirty girls end up in the K-Hive?
DPP is back, baby — and this time for an encore. Chase and Sam thought they'd round out the season — find a 'capstone', if you will — for the last year. That pediment takes the form of Chris Smith's fly-on-the-wall documentary American Movie (1999).
Fear the coming of the trilby. Yes, that's right — today, in the last episode of our first season, we're looking at Gen X accelerating towards middle age and a crash encounter with those coming up behind them: millennials.