
Show Notes
Collette Dinnigan has a storied history as one of Australia’s must successful fashion designers. Ever. But that’s just one chapter of her creative life. Her adventurous spirit and love of colour, fabric and proportion make total sense in the context of her childhood. In the mid 70s, her father built a yacht and set sail from Durbin, South Africa for the world with his young family. When they settled in New Zealand her creative mother got involved in textile design, Collette would get the remnants and patterns, piecing them together into garments. Her list of accolades is long. Collette became the first Australian to mount a full-scale ready-to-wear collection in Paris in October 1995, and in 1996 was invited by the Chambre Syndicale de la Haute Couture to show on the prestigious Paris Fashion Week schedule. By the early 2000s, she was the darling of the international fashion scene. Dressing celebrities who didn’t want to wear the old houses on the red carpet, but something more youthful and new. In 2013, she was ready for change. Never afraid to take a risk, she controversially closed the doors to her business, instead of selling. When you get to know her, you’ll understand why. Today, her focus on collaborations and interiors satisfies her creative drive. She’s collaborated with luxury brands like Qantas, Audi and Dom Perignon, authored children’s books, designed interiors for restaurants and hotels and created wallpapers and ceramics. She’s even been on Celebrity MasterChef, a credit to her commitment to pushing herself outside her comfort zone. She’s authored two coffee table books, the second, ‘Bellissima, An Australian—Italian Affair’, designed by Vince is on shelves in all good bookstores today. Listen in as Vince and Collette discuss her love of interiors, gardens, food, friends, curiosities, art and travel, why she chose to shut down her business rather than sell it, and rolling down 40-foot waves in the Indian Ocean. See omnystudio.com/listener for privacy information.
More from Design Your Life with Vince Frost
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What happens when you take a Victorian era locomotive workshop, built in 1887, and turn it into a home for contemporary sculpture? Matt Mewburn has spent the last decade finding out. Matt is a blacksmith and sculptor, and the founder of Eveleigh Works, a working forge inside one of the last remaining industrial blacksmithing workshops in the world, complete with machinery dating back to the 1850s. At 27, with no savings and a lease he couldn't afford, he took over the space anyway. What followed was a career built on physical prototyping over drawing, on letting materials push back against ideas, on making things the old way, and on the belief that nothing worth doing gets designed cleanly on paper. Blacksmithing is one of the oldest crafts in existence, and full time careers in it are rare in 2026. Matt has built one anyway, developing an international commission list and a practice that sits closer to contemporary art than traditional trade, which raises the question at the heart of this episode: what does it take to keep a craft this old relevant now? Tune in as Vince and Matt get into the discipline of working with heavy materials, the three metre tuning forks Matt made for a performance at the Sydney Opera House, what it takes to revive one of the world's oldest professions, and what it means to build a life with no long term plan at all. See omnystudio.com/listener for privacy information.
What does an institution built in the 1820s have to teach us about designing for the future? Dr Caroline Butler-Bowdon has spent two decades moving through museums, historic houses and public space, and now leads the State Library of NSW into its 200th year. In this episode, Caroline talks with Vince about the library as one of the last true third spaces, somewhere people come to be alone together. She unpacks why trust and human connection sit at the heart of public institutions, what the data says about belonging and wellbeing, and why the resurgence of physical books and slow reading isn't nostalgia, it's a response to digital exhaustion. The conversation also covers Caroline's own career, from a PhD written between naps with a newborn, to a Churchill Fellowship that changed how she thinks about public space, to a hard-won Instagram detox. Listen now for a conversation about libraries, longevity, and what it means to design for connection. See omnystudio.com/listener for privacy information.
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