
Show Notes
On this episode of the Camerosity Podcast, the guys took a suggestion off the top of the Camerosity Suggestion Box™ and dedicated this episode to medium format SLRs. That's right, finally, an entire episode dedicated to Bronica, Mamiya, Rolleiflex, Kiev, and Norita SLRs (but not that H-brand). Joining Anthony, Paul, Theo, and Mike on this show are returning callers A.J. Gentile, Brian Zeman, Miles Libak, Will Pinkham, and first time callers Andrew Wells, Fernando from Germany, Henry Blanton, Robert Wawrzinek, and Tom Zoss. The show gets off to a quick start with the Bronica system, one that Mike has limited experience with, but the listeners make quick work out of recommending an accessory that Mike immediately decided he needed. Our love for this Japanese SLR starts with the early S-series, moves into the GS, and finally ETRS series, but one is a clear favorite. Another well received SLR is the Kowa Six which Mike has been tirelessly shooting in the weeks prior to this show, ready to share his thoughts. Anthony and Andrew both share their strong desires to own a Rolleiflex SL66, and Fernando shares his love for Soviet and East German medium format SLRs. A huge number of "less common" cameras like the KW Reflex Box, VEB WEFO Master Reflex, Fujita Six, Folmer-Graflex National Graflex, and both the horizontal and vertical versions of the Ihagee Exakta 66 get their mentions. We point out the 6x6 SLR with the fastest medium format lens ever made, who is best to repair Mamiya SLRs, and ponder the age old question, "Why didn't anyone ever make a 6x9 SLR?" We get a little off topic, discussing John Minnick's Aero-Liberator SLRs used by Graham Burnett, Graflex's "Stove Top" SLRs, and Tom Zoss's custom Graflex XL with a very wide Rodenstock lens on it. Plus, as an added bonus, we cover the only 16mm SLR in any of our collections, the KMZ Narciss SLR! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be Episode 80 and we're taking the opportunity to dedicated this episode to cameras of the 80s (you get to pick the century). The 1980s saw a huge advancement in auto focus SLRs, the use of lightweight plastics, and the beginning of the "bridge camera" era. If you're fans of gems like the Nikon FM2, Minolta X-700, Leica M6, or the Yashica Samurai, this is the episode for you! We will record Episode 80 on Monday, October 28th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Mike Owns Two Bronica SLRs / Bronica S2 / Bronica GS-1 Kiev-60 SLR w/ Screw Lens Mount Adapter / ARAX Repaired and Upgraded Cameras Order Matters on the Kiev Cameras / Repairing Kiev SLRs / Kievs with Pentacon Six Mount Paul Declares the Bronica and Kowas to Be Value Leaders / Early Bronica S-Series Bronica S2 Has a Removable Helicoid Which Adds Flexibility / Adapting Other Lenses to Bronicas Mike's Early Review of the Kowa Six / Kowa 66 Fujita 66 / Kalimar Six / Kodak Duo Six-20 John Minnick and Graham Burnett's Aero-Liberator SLR / Stove Top Graflex SLRs Mike is Working on a Review for the Folmer-Graflex National Graflex KW Reflex-Box is a Box Camera That's Also an SLR Brian GASses Mike into Buying a Winder Grip for the Bronica GS-1 Anthony's Favorite
More from Camerosity
After a six week break, the Camerosity crew are back with another episode, but unlike most, we decided not to send out invites and instead just got everyone together and hit the record button. As it turned out, we hit record so fast, we forgot to make an intro! On this, the 113th episode of the Camerosity Podcast, what we lacked in callers we more than made up for in massive amounts of GAS! Who would have thought that keeping five camera collecting lunatics away from each other for a month and a half and we would get ourselves into so much trouble?! We start the show with a brief summary of what each of us have been up to and Mike dominates this section complaining about being without power for over 10 days in mid August due to a massive storm called a derecho which decimated the area he lives in. We quickly get to more interesting discussions, recapping recent pickups both through Japanese auctions and more traditional channels including Theo's beautiful new black chrome Leicaflex SL2 and Anthony's "bucket list" Rolleiflex SL66.
Whenever you get a bunch of camera collectors together to talk about rangefinders and SLRs, the focus of the conversation almost always centers around those models with interchangeable lenses. Thread mount Leicas, Contax rangefinders, Nikon F-series and Zeiss-Ikon Contarexes almost always dominate the discussion. While certainly worthwhile cameras to talk about, lens swappable cameras overshadow their fixed lens counter parts, and for Episode 112, the Camerosity crew decided to take a deep dive into those rangefinder and SLR models where the lens can't be removed. Joining Anthony, Paul, Stephen, Theo and Mike are regular and first time callers A.J. Gentile, Aaron in Idaho, Basile from Montreal, Ben Ryerson, Fernando Villava, Greg Harp, Howard Sandler, Marty Olsen, Ron Gee, Sarah Davis, Vlad Kern, and Wayne Scheipers. We start off the episode asking if anyone who listened to Episode 111 was inspired to buy anything from a Japanese auction, but then we hand over the virtual mic to Vlad Kern who had a crazy eBay story regarding an extremely rare Smena camera he ended up selling, buying back, and then having to sell a second time. In addition, we were joined by Sarah Davis who came back on to check in with how her repair business has been going. Since her first appearance on the show in Episode 108, several Camerosity listeners have reported being very happy with her repair services. When we finally got on topic, we shared our love for a large number of mostly fixed lens rangefinders including the Minolta Hi-Matic 7, Yashica Electro series, the Mamiya Super Deluxe, Konica III, and even though we primarily stayed with 35mm cameras, we discussed Fuji's lineup of excellent 6x4.5, 6x7, and 6x9 rangefinders including the popular "Texas Leica". In addition to covering GAS, Anthony asked the question if any fixed lens rangefinders ever had telephoto lenses, and Mike gave a quick lesson on what exactly the Yashia Electro's "Pad of Death" is and what it sounds like. For fixed lens SLRs, we covered models by Mamiya, Zeiss-Ikon, Nikon, Canon, and a few others. Mike shared one of his favorites, the strange Fujica ST-F with the Ihagee Exa style shutter and in body flash. It wouldn't be a Camerosity show if we didn't get off topic, and our listeners were quick to ask questions about adapting Soviet lenses, what the difference is between an Industar and a Jupiter, whether or not Zeiss lenses for Contax SLRs are better than Yashica lenses, and whether the Vectis APS SLR was responsible for Minolta going out of business. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We don't yet have a topic for the next episode, but rest assured whatever it is, it will likely involve a bunch of adults irresponsibly spending their money on half century or older cameras! When we know what we plan on talking about, we will be sure to update you through the usual channels, but we will record Episode 113 on Monday, August 10th at 7pm Central Daylight Time, 8pm Eastern Daylight Time, and 6pm Canada Saskatchewan Time. For more time zones, please consult the World Time Buddy calculator and plug in your time. Make sure you set your calendars and look out for the show announcement at the usual loc
We're back in time for both the 111th Episode and the belated 5th Anniversary of the Camerosity Podcast! Even though we forgot about our own anniversary, we commemorated the occasion with a topic from the Discord suggestion box, buying cameras from Japanese auctions! If at first, this seems like a dry topic, then clearly you aren't the target audience for this show as any option for more GAS is always welcome here! Joining Anthony, Paul, Stephen, Theo, and Mike are a combination of regular callers and a couple newbies, A.J. Gentile, Bryan Hewitt, NP from Discord, Greg Harp, Heath from Maryland, Ira Cohen, Jeremy Scott, Jody Oliver, Marty Olsen, Nick Marshall, Ron Gee, and Will Pinkham! For those who have only experienced buying cameras through eBay, the first thing you should know about buying on Japanese auction sites is that if you are not in Japan, you need to use a proxy and while there are many out there, they're not all the same. Starting off the show, we attempt to explain the differences between the most popular options, what's similar about them and more importantly, what's different. On the show were a large number of people who have experience with these types of proxy sites, so the various callers shared their experiences, both good and bad, with them, detailing what they liked and where things can go wrong. In our attempt to explain how all these proxies work, we did a pretty poor job of promoting them, and by the end of the show, we may have turned people off from ever wanting to use one! But hey, the more information you have, the better you are able to make a decision. While a majority of the show stayed on topic, we did get to some recent GAS near the end, including Mike's white whale and pickups from A.J., Greg, Will, and a purchase that Stephen made during the show! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The recording for the next show is just a couple days away, but for Episode 112, we are going to discuss fixed lens rangefinders and SLRs. While collectors and users often get the most excited over interchangeable lens cameras, there were a huge number of excellent fixed lens cameras and since many don't get a lot of love, we hope to change that on the next show. We will record Episode 112 on Monday, July 20th at 7pm Central Daylight Time, 8pm Eastern Daylight Time, and 6pm Canada Saskatchewan Time. For more time zones, please consult the World Time Buddy calculator and plug in your time. Make sure you set your calendars and look out for the show announcement at the usual locations and be prepared to join us! In This Episode
We have returned with the tiniest episode we've ever done, covering 110 Pocket Instamatic and other 16mm subminiature cameras. This was a topic which the Camerosity crew had no idea would be so popular, but our loyal listeners came through and delivered a full show of giant opinions about cameras which make tiny negatives! On this episode, Anthony, Paul, Stephen, Theo and Mike were joined by A.J. Gentile, Edward Michelet, Eric Schneck, Fernando from Germany, Greg Harp, Ira Cohen, Pat Casey, and Will Pinkham where everyone spoke about their favorite Pocket Instamatic and 16mm subminiature cameras. We started things off with a bit of history and moved into one of the most consistently popular 110 cameras, the full system Pentax Auto 110 SLR. We talk about other premium 110 cameras like the two Minolta 110 SLRs and the Canon ED, along with a really neat German camera called the Agfamatic 6008 Makro Pocket, a camera that was so awesome, it inspired Theo to buy one while the show was recording. We talk about challenges with the format, including its extremely small size, the lack of a pressure plate, and how 110 opened the door to the ill fated Kodak Disc format which in turn, brought us T-Grain film still used today with film stocks like Kodak TMax. We cover a wide variety of other cameras, including some interesting 16mm cameras made by Minox, Yashica, and KMZ in the Soviet Union and even a few bizarro ones like the Tasco binocular camera and the Voltron Star Shooter 110. It wouldn't be a Camerosity Podcast episode without us getting off topic, and for this episode, our diversion ended up being all about camera batteries! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The next episode is coming soon, and as of this writing, we don't yet have a topic, but I am sure it will be something to stretch your GAS budget even farther than before. We will record Episode 111 on Monday, June 29th at 7pm Central Daylight Time, 8pm Eastern Daylight Time, and 6pm Canada Saskatchewan Time. For more time zones, please consult the World Time Buddy calculator and plug in your time. Make sure you set your calendars and look out for the show announcement at the usual locations and be prepared to join us! In This Episode
Way back in the early days of the Camerosity Podcast, we did a show with Canon historian and author Peter Kitchingman, and recently as the gang looked back at what topics were worth revisiting we decided to come back to Canon rangefinders. But what expert would we get this time? As it turned out, Peter was available and willing to come back so we decided to retread this bountiful topic and deliver a "Part Deux" to Canon rangefinders. Joining Peter and the regular hosts were Greg Harp, another excellent resource for these cameras who has a great deal of knowledge, plus listeners A.J. Gentile, Ben Ryerson, Ira Cohen, Jeremy Scott, Joan, John Roberts, Norris Liu, William Smith, and Will Pinkham. We start off with some brief history and then get into some of the earliest Canon rangefinders like the original Canon and the slightly later Canon J and JII. Moving onto the historically significant S, SII, and IIBs and eventually covering the II, III, and IV series. We move along to the back loaders like the V, VI, P, and 7 series, covering various lenses, including the 0.95 Dream lens, a very rare original Canon mount wide angle lens, and others. Greg and Peter even share a bit of knowledge about Canon's X-Ray cameras which they made during and after the war. Although a majority of you probably wanted to hear the most about the interchangeable lens models, we give some love to the fixed lens Canonet models like the trigger wind Canonet, the Canonet QL17 G-III, and even some of the more economically priced models. Unusual to a Camerosity episode, we largely stayed on topic for this only only slightly veering into one Argus lens (blame Mike for that), but we answer a bunch of questions such as why is having different magnification ratios for the rangefinder useful, why is having separate viewfinder and rangefinder windows better, and what role did Nippon Kogaku play in Canon's history. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining!