Show Notes
The story of Greek ceramics continues with a revolution in pottery. Around 530 BC, Athenian potters began turning the familiar world of black-figure decoration on its head, creating the extraordinary red-figure vessels that would come to define Classical Greek ceramics. Stephanie Rozene and Paul Greenhalgh explore the potters, workshops and innovations behind this transformation, and discover how ceramics became part of everyday Greek life – from wine-drinking symposia to sporting prizes and simple household wares. As Greek influence spreads across the Mediterranean, so too do its ceramic traditions, before a new power emerges: Rome. Yet conquest would not bring the story to an end. The Romans absorbed and reinvented Greek forms, ensuring their influence would survive for centuries. Please switch to video in your podcasting app, to see the pots being spoken about in this episode. Featured Artworks: Black Figure Amphore, Attributed to Group E (British Museum, CC BY-NC-SA 4.0) Red Figure amphora, signed by Andokides, c.530 BCE Terracotta amphora (jar) Red Figure bell krater, Anonymous, often referred to as by the Berlin Painter, Greek, c.480 BCE, Louvre Museum. Anonymous, possibly Apulian, possibly Boeotian, 480 BCE Francois Vase, Black Figure krater, decorated by Kleitias, made by Ergotimos, Greek, 570-560 BCE, Archaeological Museum, Florence. (CC 3.0) Terracotta kyathos (cup-shaped ladle), Attributed to the Group of Berlin 2095, c. 530–500 BCE Terracotta amphora (jar), Attributed to the Orvieto Painter, c. 540 BCE Small terracotta amphora (jar), Greek, Attic, c. 800–750 BCE Terracotta neck-amphora (storage jar), Greek, Corinthian, c. 620–590 BCE Terracotta neck-amphora (jar), Attributed to the Edinburgh Painter, c. 500 BCE Terracotta neck-amphora (jar) with lid and knob (27.16), Attributed to Exekias, c. 540 BCE Terracotta lekythos (oil flask), Attributed to the Amasis Painter, c. 550–530 BCE Terracotta column-krater (bowl for mixing wine and water), Attributed to Lydos, c. 550 BCE Terracotta Nolan neck-amphora (jar), Attributed to the Ethiop Painter, c. 450 BCE Terracotta neck-amphora (jar) with twisted handles, Attributed to the Lykaon Painter, c. 440 BCE Terracotta amphora (jar), Attributed to the Berlin Painter, c. 490 BCE Terracotta skyphos (deep drinking cup), Greek, Attic mid-5th century BCE Chapters
00:00:00 Introduction: The Ancient Greeks - From Red Figure to the Rise of Rome 00:01:29 Recap: From Geometric to Black Figure Pottery 00:02:49 The Potters: Immigrant Makers and Family Workshops 00:04:52 The Red Figure Revolution: A Technical Breakthrough 00:06:45 Andokides and Bilingual Pottery 00:09:18 Pattern Bands and Workshop Signatures 00:11:33 Sophistication and Space: The Classical Aesthetic 00:14:13 The Berlin Painter: Minimalist Mastery 00:16:37 Shapes and Function: The Symposium Culture 00:18:54 Slavery, Democracy, and Greek Society 00:22:06 The Value Question: Cheap Plastic or Precious Art? 00:25:43 Production and Economics: From Souvenir Cups to Masterworks 00:28:01 Greeks Had No Word for Art 00:29:14 Legacy and Permanence: Objects That Tell Stories 00:31:40 The Hellenistic Expansion: Red Figure Goes Global 00:33:36 The Roman Conquest: 146 BC and the End of Greek Independence 00:37:20 Ceramic Memory: How Clay Survives Empire
Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Executive Producer: Emma Cahusac
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