Asher Emanuel, "The Valley: Crime and Punishment in a New Zealand City" (Bridget Williams Books, 2026)

The United States is an exceptionally violent country, increasingly unable or unwilling to stem violence in its many forms. A growing corporate crime wave has gone unprosecuted and unpunished, with those in the C-suites largely escaping accountability. Meanwhile, the country has doubled down on pursuing people accused of street and drug crimes and immigration offenses. Corporate impunity, the financialization of the economy, militarized policing, the burgeoning carceral state, and the forever wars in Afghanistan, Iraq, and elsewhere all have fostered corporate, economic, and state violence in America. In Crime and No Punishment: Wealth, Power, and Violence in America (Princeton UP, 2026), Marie Gottschalk argues that these developments have undermined the legitimacy of American political and economic institutions.

The Real Pain of Punishment: Prison, Belonging, and the Quest for Humanized Justice (Cambridge UP, 2026) highlights the concept of 'belonging' as an unprecedented lens for critically interrogating the legitimacy of incarceration across penal theory, sentencing practice, and human rights frameworks. The chapters chart pathways for bridging the gap between the normative idea of punishment and the stark realities of prison life. The final chapter, written with scholars currently and formerly incarcerated in a New York State facility, reflects on how embracing belonging within penal approaches can inform responses to harm grounded in humanization, proximity, empowerment, and collaboration. With this chapter and more, the book, advances a call for deeper epistemic dialogue within legal discourse on crime, punishment, and justice.

In this episode, Lilyanna D'Amato speaks with Rahim Kurwa about his book Indefensible Spaces: Policing and the Struggle for Housing (U California Press, 2025), which examines the policing of housing in Los Angeles' northernmost suburb, Antelope Valley. Kurwa traces the suburbs' relationship with Los Angeles from post WWII to the early 2000s and 2010s, when the region saw increased Black migration as result of the Section 8 Housing Choice Voucher program, the largest rental assistance program for low-income families in the nation. Kurwa contextualizes the adoption and reception of the voucher system in Los Angeles at the end of the 20th century, and explores the participatory policing and criminalization practices used to evict Black residents and re-segregate the region.

Arts of the Border: Fugitive Bodies at Europe’s Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe’s edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais’s “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining.

As law enforcement agencies deploy increasingly advanced technologies to suppress dissent, hunt migrants, and target marginalized communities, The Carceral Surround (U Minnesota Press, 2026) offers a powerful new theory of police and prison power in the digital age. Making sense of the rapid expansion of digital carceral infrastructure in a nation that claims to value freedom and individual rights, R. Joshua Scannell moves beyond familiar debates over privacy to show that understanding digital policing requires confronting the political and racial logics that sustain police power. Drawing on digital media theory, science and technology studies, critical race and ethnic studies, and carceral theory, The Carceral Surround reveals how twenty-first-century policing is less about managing crime than about governing possibility. Carceral power now operates across every register of daily life through predictive analytics, risk modeling, and algorithmic systems that track, sort, and preempt. From social media archives and facial recognition software to satellite mapping and radiation sensors, Scannell charts how seemingly disparate media converge into an environment of control that links technocratic governance to the maintenance of racial hierarchy and capitalist order. Tracing today?s technoauthoritarian regime from the NYPD?s assault on Black Lives Matter protesters in 2020 to the Stop LAPD Spying Coalition?s campaign to end predictive policing contracts, The Carceral Surround is a rare hybrid of critique and refusal, illuminating the digital logic of US authoritarianism while imagining pathways for collective resistance beyond its grasp. Retail e-book files for this title are screen-reader friendly.