Show Notes
This week, we’re talking about the projects that never saw the light of day. We're talking rejected ideas and identities that were maybe signed off but never launched. We share the stories behind some of our biggest creative disappointments, including Jack’s rejected Six Nations identity and the moment CJ decided to walk away from one of the largest and most meaningful projects of his career.
We get into:👉 Why even your best design work might never make it into the world👉 How too many stakeholders can derail an otherwise brilliant creative project👉 Why a rejected idea doesn’t automatically mean the work was bad👉 What happens when the brief and creative direction suddenly change👉 How to recognise when you’re no longer the right designer for a client👉 What to do with unused, rejected or unfinished creative work
More from Sticky Notes with CJ Cawley and Jack Chitty
This week, we’re asking each other the awkward questions others might not usually answer, from money and self-worth to creative process, client mistakes and whether either of us could actually be replaced on Sticky Notes.
Do you actually need a degree to become a good designer? Or can you teach yourself everything you need to know?
This week, we’re doing something a little different. No big topic or case study. Just an honest conversation about why running a creative business feels really hard sometimes. We’ve both had a few turbulent weeks recently, so we wanted to go properly behind the curtain and talk about the stuff that doesn’t normally make it onto Instagram: unpaid invoices, difficult client conversations, financial pressure, changing expectations around AI, slower leads and the constant pressure of having to go out and earn every single pound again next month.
This week, we’re going behind the scenes of one of CJ’s favourite brand identity projects to date: the complete rebrand of Mike Lane.
This week, we’re doing something a little different and playing a game of Would You Rather: graphic design edition. Some of the questions are stupid. Some get surprisingly deep. And a few reveal far more about how we think as designers than either of us probably expected.