Show Notes
What happens when two friends sit down and wrestle withlife's biggest questions? In this episode we unveil a new segment called 40,000 ft: What is something that has happened to you recently and what did you learn from it in a global sense? (i.e. when you zoom out to 40,000 ft.)
Erik shares that people avoid going near his dog Teddybecause they see he's part pitbull, and that gets him thinking about innate bias, and what biases he has with respect to woodworking. Paul shares his experiences of recent travel and how that has changed him to be OPEN to theuniverse, accepting what life has in store with a sense of unexpected joy instead of being anxious trying to control this chaotic world. And of course, things will go off the rails at times. Join us for an honest, unscripted conversation that just might shift how you see the world—and yourself.
To watch the YOUTUBE VIDEO of this episode and theirreverent & somewhat unpredictable AFTERSHOW, subscribe to our Patreon:
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Gorilla Glue Wood Filler and Wood Glue (less water)mentioned in today's show:
More from Woodworking is BULLSHIT!
Do you gravitate towards the quick and easy weekend project or the long haul masterpiece? The answer likely depends on your brain chemistry, your work/life schedule and availability, and your innate ability to tolerate delayed gratification.
Why spend time examining—or even physically making—"BAD ART"? Is there something to be learned by making BAD ART?
The things we make are not simply objects, but symbols of who WE ARE and WHAT WE OBSERVE in life. This week we sit down with our first ceramicist guest ever, Jordan Koons — potter and educator, to figure out what the things we make are trying to tell us about life and ourselves.
FACT -> Marketing is CRITICALLY IMPORTANT to sell the things we make. However, marketing often comes with an "ick factor" for many of us, as we are exposed to HUNDREDS of advertisements PER DAY, many of which are dishonest and misleading, with the products prioritizing convenience and profits over the environment.
How can we be creative when we don't know what the final goal looks like? This is OFTEN the case when we work in teams on collaborate projects, be it at work or in craft. How do we know if what we've produced is good enough? Erik and our esteemed guest, FARMER NICK (a wonderful landscape architect, environmentalist, farmer, husband, and all around beautiful human) talk about how they had to be creative on demand in their netflix show while not knowing exactly how thing would turn out in the end. I think this situation likely applies to ALL OF US in various situations in our life.