Show Notes
Eleanor leaves us with something more intimate than a behind-the-scenes record: a mother watching her daughter make a movie, and making another one alongside her.
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Blake opens the mailbag for the first time as a standalone episode. He answers voice memos and written questions from the OHM Discord and Patreon community, talks about Michael Mann’s unsung supporting players, what it would take to bring One Heat Minute back to Heat, and Stephen Lang’s best roles. He also makes an exclusive announcement about OHM’s 2027 slate.
Blake Howard and Drew Taylor break down Criterion’s Stanley Kubrick: The Complete Films, from its extraordinary packaging and new transfers to the previously unreleased international cut of The Shining. Plus, the flash sale sell-out, why physical media matters, and our dream Criterion collections for Jonathan Demme, Tony Scott and David Lynch.
Three hundred coyotes in waistcoats march through a mountain range; somebody moved every one of those legs by hand, one frame at a time, and then did it again. I was lost in the story when that shot arrived and it threw me straight out of it, which is the problem and the glory of Wildwood in a single image.
Television critic, podcaster, and author Alan Sepinwall joins us to discuss his wonderful new book “Serling: A Journey Into the Twilight Zone with TV's First Visionary” and the best movie that Rod Serling (directly) wrote: John Frankenheimer’s taut 1964 political thriller, featuring killer turns by frequent co-stars Kirk Douglas and Burt Lancaster.
There's a difference between a bad film and a bad time, and Verity is an excellent bad time. (SPOILERS)