Judith Hill, "Gothic: Building Castles in Post-Union Ireland" (Four Courts Press, 2026)
New Books in Irish StudiesShow Notes
Castles speak. Especially in an age when they are no longer necessary. The Act of Union of 1800, which brought Ireland into closer association with Britain, challenged the status of Irish landed proprietors, and not a few responded by building castles. In Gothic: Building Castles in Post-Union Ireland (Four Courts Press, 2026) Dr. Judith Hill explores the projects of two Irish proprietors: the Burys, later Lord and Lady Charleville, who commissioned Francis Johnston, then Ireland’s most important architect, to design Charleville Castle; and Lawrence Parsons, later 2nd Earl of Rosse, who reimagined seventeenth-century Parsonstown House as early nineteenth-century Birr Castle.
Architecturally the castles belong to Georgian Gothic, a style that in Britain is overshadowed by later nineteenth-century Gothic and is largely overlooked in Ireland. In this fascinating new book, Dr. Hill investigates Georgian Gothic in its own terms as both a British and Irish phenomenon, demonstrating how antiquarian understanding, associative thinking, awareness of family pedigree and historicised design ideas resulted in a uniquely Irish response to the Gothic revival.
Using the ample surviving archives related to both families, she argues that these architecturally original and significant castles eloquently expressed their builders’ political and social concerns, making them artefacts of cultural unionism.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
More from New Books in Irish Studies
Fitness for Freedom: Disability, Degeneration, and Modern Irish Writing (Syracuse UP, 2025) explores the legacy of intersectional stereotypes of disability, race, gender, sexuality, class, and religion that justified imperial rule in Ireland and the forms of oppression that continued after independence. Marion Quirici identifies models of citizenship and creative autonomy in Irish modernist literature that valorize vulnerability over ability and interdependence over independence. She uncovers a history in which an entire nation, Ireland, was characterized as disabled and therefore “not fit for freedom.” Beyond symbolism, the Famine and decades of emigration led to a perception that Ireland’s racial stocks were depleted, and that those who remained were feeble and few. The fraught relationship between disability and Irishness provides context for Quirici’s analysis of modernist Irish literature. Revivalists such as William Butler Yeats, Lady Gregory, Pádraic Pearse, and the Gaelic Athletic Association created new mythologies of Irish ability to counter imperial stereotypes, tacitly reinforcing the idea of disability as a disqualification for sovereignty. Certain Irish modernists, however—James Joyce, Edna O’Brien, Samuel Beckett, Brian O’Nolan, and Christy Brown—called the “fitness for freedom” ideology into question. These authors allow us to disentangle disability from unfitness and scrutinize its relationship to liberation. In their work, disability becomes an avenue for exploring the human experience and discovering the inherent creativity and collaborative potential of an interdependent life.
Professor Tom Hulme's second book reconstructs the erotic and romantic lives of queer men in Belfast across roughly seventy years, from the recriminalisation of sex between men in the 1880s to the emergence of a mainstream public debate about homosexuality in the 1950s. It follows men cruising the city centre, reading and passing around homosexual novels, forging relationships across the lines of class and religion, and navigating a world that was often more knowing and more tolerant than Northern Ireland's later reputation would suggest. Where we might expect only shame and fear, Hulme finds pride, defiance, and a guarded everyday acceptance, though one whose limits fell hard on those caught with much younger partners, and one that narrowed sharply after the Second World War.
Ciara Breathnach is Professor of Irish Gender History at University College Cork. She has published widely on Irish socio-economic, gender, cultural and health history. Her last monograph Ordinary lives, death and social class: Dublin City Coroner’s Court, 1876-1902 (Oxford University Press, 2022) won the American Conference of Irish Studies, James S. Donnelly Sr. Prize for Books on History and Social Sciences in 2023.
When world kettle-bell lifting champion David Keohan heard the old tales of stone-lifting, he was captivated, setting off on a quest to rediscover these famous stones and attempt the feats of heroes past by lifting them. Guided by a 1930s archive, the dúchas, in which schoolchildren shared their local folklore, Keohan began to travel the country in search of the stones, as documented in The Wind Beneath the Stone: My Quest to Unearth a Piece of Ireland's Folklore (Bloomsbury and Chelsea Green, 2026). They were often to be found hidden away in quiet villages or cemeteries, their purpose almost forgotten. But, as he journeyed through Ireland, he met those who recalled the stories of the stones and the legends attached to them. Soon, others joined him as he took on the challenge of lifting these pieces of history, the heaviest of which weighed well over 450 pounds.
Literature and Learning: A History of English Studies in Britain (Oxford University Press, 2025) by Stefan Collini