Show Notes
Introducing the third season of the Music to my Ears podcast, where we sit down with artists, musicians, broadcasters and writers to find out about the music that has made them who they are today. This season, we hear from guests including DJ Edith Bowman, who tells us about the power of watching films with live orchestras; musician Como Sheldrake, who describes the process of recording the sounds of nature with ultra-high sensitive microphones; and cellist Julian Lloyd Webber, who shared stories of his bohemian musical upbringing alongside his brother Andrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices
More from All The Right Notes
Classical music is packed with weird and wonderful musical terminology. Steve Wright speaks to author and critic Jessica Duchen about the meaning and stories behind some of music’s most common terms.
The uplifting sound of the horn, particularly in an orchestral setting, is familiar to audiences worldwide – but how do you play this wonderful instrument? Charlotte Smith interviews former London Symphony, London Philharmonic and current Royal Opera House principal horn David Pyatt, who takes her through her first horn lesson.
Classical film scores have given us some of the most recognisable music ever written – and film screenings with a live orchestral soundtrack in the concert hall are increasingly popular. But where do you start when writing a soundtrack and how do you capture that magic? Michael Beek speaks to British film composer Anne Dudley.
Smoking and alcohol are definite no-nos, but what else can you do to ensure your singing voice is in top condition? Jeremy Pound speaks to Olivia Sparkhall, author of A Young Person’s Guide to Vocal Health, to find out.
Vaughan Williams’s The Lark Ascending consistently tops polls as Britain’s favourite classical work, but what is the source of its enduring popularity? Steve Wright interviews writer and broadcaster Andrew Green about his Lark Ascending/Skylark recordings project for the Ralph Vaughan Williams Society, in collaboration with the Wildlife Sound Recording Society and British Library’s Wildlife and Environmental Sounds Collection.