Show Notes
I had to re-record this episode. While adding an auto-switching scene — overhead keys versus FaceTime — I found the piano mics sitting on the overhead scene and in the global mix. They were doubled. Soft passages can actually be soft now.
Same week I found Logic Smart Tempo crushing Disklavier sustain. After I simplify a pedal press to about seven CC64 events, Smart Tempo can squash the release into under 15 ms and kill the chord tail. A small fix widens those ramps back to about 60 ms.
More from Piano Music
Recording 98 was played on version 4 of the LED bar, printed in transparent filament. It is brighter than the black bar, but the light spills onto neighboring keys, so the black bar is back in use until the per-key version 5 design is built. That design needs a custom circuit board, which puts a prototype at least a month out.
Recording 97 is the first one since version 3 of the LED bar was finished. Version 4 is being printed in transparent filament for comparison, and a version 5 design with one focused LED per key is in early testing.
Recording 96 was finished during a week with no live streams. The streaming schedule is now seven weeks on and one week off, plus any week with work travel, and the next break falls the week of November 9th.
Recording 95 is the first one made with version 2 of the LED bar over the keys. The bar puts more focused light on the hands, which helps on camera, but too much of it reflects off the keys. Version 3 is in progress with the bar angled at 45 degrees so the light falls onto the keys instead of across them.
I finished Recording 94 at the beginning of the week to make more room for album work. The video keeps the overhead view of the acoustic piano and the current Piano VFX treatment, with a 4K, 60-frame-per-second master.