Show Notes
It’s that time of year again, this time with the pathetic spectacle of Trump-Amerika’s 250th birthday bonanza in the background. But rather than just taking the easy pot-shots at the absolute horror and humiliation on display, we discuss a few of the concrete failures of this “experiment” in “democracy” that inform our consideration of whether there is anything to salvage of the institutions atop this melting glacier of an empire. We begin, predictably, with the utter failure of the empire’s aggression against the people of Iran. Trump lives in a world where his say-so makes it true that the U.S. military “did an amazing job” and the like, and millions of people choose to join him there, whether out of old-fashioned greed, or out of some bizarre lust for humiliation, or maybe just because we are so conditioned to confer authorities unto the powers that be without question… Since Trump couldn’t defeat Iran in War, he tortured their soccer team. We also cover a few of the Supreme Court cases showing what a failure “the courts” are against abuses of power, both presidential and corporate. This term alone, the Supreme Court has (1) gutted the voting rights act, (2) aided in the mass expulsion of TPS immigrants, (3) expanded presidential control over regulatory agencies, (4) given (IG Farben) Bayer/Monsanto a licence to poison people with RoundUp, and much more. With checks and balances like these, who needs checks and balances? We end on a positive note. Do data center protests - encapsulating so well the deserved sense of anger against tech-surveillance-pervert-billionaire freaks - light a path forward? Maybe, we’d like to think so. Happy holidays, one quarter-century is quite enough, thank you. We need to start this thing over again, but this time NOT on the basis of genocide and slavery–on justice and liberation. We can do this; we can declare independence.
More from Fourth Reich Archaeology
This week we are picking up where we left off in our ongoing series within a series about the two women who, in September 1975, pointed their pistols at President Gerald R. Ford. Our focus in this series as of late has been on the second of these two female assassins, the one who actually took a shot at the accidental president, Sara Jane Moore. In this episode, we continue our discussion of Sara Jane’s husband #3, John O. Aalberg, the 10-time Oscar nominee and RKO executive Sara Jane lovingly called “Big John.” Now, this is Fourth Reich Archaeology, so you know that we couldn’t really paint a complete picture of John Aalberg without diving a little deep into RKO, his longtime employer, and its eccentric owner, the aviator himself, Howard Hughes. It’s got the Fourth Reich written all over it. And that’s not all folks! In the second half of this episode, we read directly from Sara Jane’s 1979 prison interview transcript, with excerpts we humbly submit put together the pieces and show that not everything is what it seems when it comes to John Aalberg. In fact, nothing is what it seems. Because according to Sara Jane herself, Big John was not just an academy man, but also a company man. So get out your Vistavision glasses, ladies and gentlemen. It is time to go to the movies! Email: [email protected] Socials: @fourthreichpod
We are back to our series-within-a-series, She Harvey Oswald (a Jerryworld Series). And boy are we excited. When we last left her, Sara Jane Moore had dumped husband #2, Sydney Manning, and sent her three kids from her California home back to her parents in West Virginia. This week we move on to husband #3, still in Southern California–indeed, in Hollywood!--the RKO Pictures sound wizard, 10-time Oscar nominee, John O. Aalberg. In Side A, we gave the “official narrative” of Sara’s and “Big John’s” romance, drawing largely on Geri Spieler’s biography of Moore. Now it’s time to dig beneath the surface… John Aalberg was a veteran of WWI and lifelong mega-patriot. He perfected a recording technology in 1928 that enabled precise and easy cutting of sound in films. One of the technologies that bridged the gap to the widespread adoption of talking pictures. But moviemakers aren’t the only people interested in recording and editing technology: Aalberg was recruited to the Army to assist its pictographic works during WWII (in fact, starting even before Pearl Harbor by several months). And he remained involved in the armed services during the Cold War as well, besides busying himself as a reserve member of the LA County Sherriff’s Office as a literal “posse” member. It’s a great tale and we think you’ll like it. It’s got material and connections that have really not been reported before, and we thank you ever so kindly for supporting our work! We couldn’t do it without you. Email: [email protected] Socials: @fourthreichpod “I Put a Spell on You” performed by Angelina Jordan: https://www.youtube.com/watch?v=gXOPpwucDYw&list=RDgXOPpwucDYw&start_radio=1
We are back to our series-within-a-series, She Harvey Oswald (a Jerryworld Series). And boy are we excited. When we last left her, Sara Jane Moore had dumped husband #2, Sydney Manning, and sent her three kids from her California home back to her parents in West Virginia. We had questioned whether “Syd” might have been a handler of some kind, considering that (1) he was a psychiatric professional working in a facility while she was a patient undergoing treatment and analysis, (2) he was 17 years her senior, (3) he knew her only a short time before tying the knot, and (4) she had exhibited abnormal psychology, suffering fainting spells and bouts of amnesia, making her an ideal subject for just the type of experiments the CIA was doing at the time under Project Bluebird. This week we move on to husband #3, still in Southern California–indeed, in Hollywood!--the RKO Pictures sound wizard, 10-time Oscar nominee, John O. Aalberg. We begin by giving the “official narrative” of Sara’s and “Big John’s” romance, drawing largely on Geri Spieler’s biography of Moore. Even the truncated and largely superficial story told by Spieler is interesting if, for no other reason, it is pretty wild that Sara Jane Moore was married to the guy who did the sound for Citizen Kane! And if you are listening on the free feed, that is where we leave things off. There’s more at Patreon, otherwise, you’ll have to wait to hear the rest of the story… Patreon.com/fourthreicharchaeology Email: [email protected] Socials: @fourthreichpod Outro song performed by Angelina Jordan: https://www.youtube.com/watch?v=gXOPpwucDYw&list=RDgXOPpwucDYw&start_radio=1
This week, Dick and Don are back together talking about a topic that seems to have fallen out of the media spotlight lately, but that is more than deserving of serious attention and concern. Deportation numbers are breaking records each month, due process is being whittled away, hundreds of thousands of people are losing legal status with the stroke of a pen based on what country they’re from. Even as the policies around mass deportation decline in popularity (even among Trump voters), administration officials continue to peddle mask-off Nazi rhetoric to dehumanize the most marginalized members of society. All in service of the classic fascist maneuver of prioritizing a hardcore base of support among ideological extremists - white nationalist eugenicist racists, in this case. Side B will include an interview with Alex, a veteran immigration lawyer, who shares her perspective on the insanity from the center of the Maelstrom. Head on over to Patreon if you’d like to get at it sooner!
This week, Dick and Don are back together talking about a topic that seems to have fallen out of the media spotlight lately, but that is more than deserving of serious attention and concern. Deportation numbers are breaking records each month, due process is being whittled away, hundreds of thousands of people are losing legal status with the stroke of a pen based on what country they’re from. Even as the policies around mass deportation decline in popularity (even among Trump voters), administration officials continue to peddle mask-off Nazi rhetoric to dehumanize the most marginalized members of society. All in service of the classic fascist maneuver of prioritizing a hardcore base of support among ideological extremists - white nationalist eugenicist racists, in this case. Side B will include an interview with Alex, a veteran immigration lawyer, who shares her perspective on the insanity from the center of the Maelstrom. Head on over to Patreon if you’d like to get at it sooner! The cover of Victor Jara’s “La Partida” featured in the episode can be found here: https://www.youtube.com/watch?v=_8LaF-tFgg0&list=RD_8LaF-tFgg0&start_radio=1