Show Notes
Strap yourselves in as James Haskell takes his first baby steps towards performing a live comedy set in his new podcast. In this episode he sits down with the brilliant Sindhu Vee. Why was a set in India her worst ever? Why did her mum compare her unfavourably to Oprah Winfrey after just eight gigs? And how did she not know James appears in the dictionary under 'toxic masculinity'?
James learns the answer to all of these questions and more, including Sindhu's three rules for writing and performing comedy and there's an appearance from his good mates Alex Payne and Mike Tindall, who give their verdict on his new career path.
More from Amuse Douche with James Haskell
Prepare to be entertained, surprised, and thoroughly amused as James Haskell takes to the stage with his first full-length 35-minute comedy set.
It’s the last episode of Amuse Douche before James’ full length set. Luckily, he’s teamed up with the brilliant comedian Suzi Ruffell to explore the power of comedy in breaking down barriers. Together, they delve into the often unspoken challenges faced by comedians, particularly when confronting misogyny and homophobia.
As the twenty minute live set draws closer, another comedian takes a look at Hask’s previous eight minutes. This time, it’s former dominatrix and American comic Desiree Burch who casts her eye over his material. A far cry from the prudish British stereotype, Desiree isn’t afraid to tackle provocative subjects and speak her mind - so what will she make of James’ work? And has he finally met his match in comedy?
Seven weeks in and the reality of having to do a 20-minute set is hitting James hard. So he decides to share his eight minute set with today’s guest Jordan Gray, to get some constructive criticism alongside her advice.
For Hask, today’s episode feels like meeting an old mate at the pub. But what comedian, actor and classically trained singer Lloyd Griffith teaches him, is that in comedy, this could be a recipe for disaster. What’s funny in the pub with your mates isn’t always funny on stage, and vice versa.