Ep. 169 - Jim Kweskin | Jug Band Music, Folk Revival & American Roots
Music Makers and Soul Shakers with Steve DawsonShow Notes
Singer, guitarist, jug-band pioneer and songster Jim Kweskin joins me on the show today. I can’t tell you how many times I heard Jim’s name before I ever heard his music. To the generation before me, he was a total legend, and the Jim Kweskin Jug Band was very influential to many musicians who grew up in the 60’s and 70’s. Jim came up in the Boston/Cambridge area and The Jug Band was legendary around those parts and eventually across America. Old blues, jug and string band music was considered old fashioned at that point in time, and Jim spearheaded its return and kicked off a musical revolution that inspried bands like the Lovon’ Spoonful and The Grateful Dead (don’t forget they started off as a jug band too). With bandmates like Geoff and Maria Muldaur, Bill Keith, Mel Lyman and Fritz Richmond, the Jug Band was signed to a major label, sold thousands of records and toured across the country tirelessly between 1963-1970. They turned countless young musicians on to the music of artists like Mississippi John Hurt, Blind Boy Fuller and the Mississippi Sheiks. Jim has continued making records and performing under his own name and has just put out a rerally cool album called “Never Too Late”, which is mostly duets with some of his friends on vocals like Maria Muldaur, Meredith Axelrod and many more. I won’t go too in depth on his bio here because in the interview, he actually had a bio preopared and read it to me, which you’ll hear on the show. It’s a first “written statement” for the podcast! I think you’ll dig that part of the conversation. You can get all the latest info on Jim at jimkweskin.com - Enjoy my conversation with Jim Kweskin!
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More from Music Makers and Soul Shakers with Steve Dawson
Season 9 comes to a close and I wanted to wrap it up with a short episode and what’s to come, and take care of our incredible end-of-season giveaways.
Guitarist Andy Reiss joins me on the show today, the last full episode of Season 9! When I first moved to Nashville, I started going to see the Time Jumpers. They are an incredible band that plays western swing and classic country every Monday at 3rd & Lindsley. For quite a few years there, the band included Vince Gill, Paul Franklin, Ranger Doug, 3 incredible fiddle players, Dawn Sears on vocals, and Andy Reiss was always there, just calmly tackling every song, no matter how fast and crazy or slow and soulful. Usually playing elegant jazz/blues/bop licks on a Les Paul, or sometimes a 335. And while it was mind-bending to see everyone doing what they do, Andy was always a high point of any show for me. He’s still doing that gig, as he has for over 20 years now. Andy started out in San Francisco, and made his way to Nashville around 1980, where he got to watch and work with a number of the original Nashville A-Team. Folks like Pete Drake, Harold Bradley, Bob Moore, Ray Edenton, and Pig Robbins. People that I know of as legends - Andy was around them from day 1 after moving here. He spent a good deal of time on the road with artists like Reba McIntyre and Slim Whitman, and has played on hundreds of records for artists like Miranda Lambert, Willie Nelson, Kenny Rogers and Leon Russell. He is truly one of the great guitar players in town, and has a deep knowledge of music, guitars and history. I also get to enjoy him up close and personal, since he now plays in my band The Volcano Brothers as well! Be sure to go and see Andy any time you’re in Nashville.
Following the passing of blues legend John Hammond, we’re revisiting this conversation with him from the first season of Music Makers and Soul Shakers, with the addition of a later conversation in which John recounts meeting Bo Diddley. Hosted on Acast. See acast.com/privacy for more information.
British pedal steel guitar legend BJ Cole joins me on the show today. BJ is a masterful steel player - very inventive and textural but with incredible chops and skills as well. He’s amassed an incredible body of solo work over the years, but has also been the top call steel session player in the UK for decades. He had a very solitary musical start, but got into country bands in England and eventually started gigging and playing sessions. Things changed for BJ when he got called to play steel on Elton John’s “Tiny Dancer” in 1971. He laid down some very tasty and memorable steel parts on that hit, and the phone started ringing big time. BJ has played on records and toured with an incredible array of artists like Joan Armatrading, Marc Bolan, KD Lang, Beck, Bjork, Sting, John Cale, Brian Eno and many more. He’s also always written and recorded his own music and collaborations, which have been all over the place musically and are a great way to delve into his musical brain. There’s a new collab with cellist Emily Burridge - cello and steel duets that’s really cool, and his solo albums like Transparent Music, The New Hovering Dog, Trouble in Paradise - all great albums well worth checking out. We get into all it, plus some seriously nerdy pedal steel talk. You can keep up to date on BJ’s latest projects and tours at bjcole.co.uk Enjoy my conversation with BJ Cole!
This is Part 2 of my conversation with Brent Maher - have a listen to Part 1 from last week first and then dig in!