Show Notes
AI art is everywhere now. According to the music streaming platform Deezer, 18 per cent of the songs being uploaded to the site are AI-generated. Some of this stuff is genuinely cool and original – the kind of work that makes you rethink what art is, or what it could become.
But there are also songs that sound like Drake, cartoons that look like The Simpsons, and stories that read like Game of Thrones. In other words, AI-generated work that’s clearly riffing on – or outright mimicking – other people’s art. Art that, in most of the world, is protected by copyright law. Which raises an obvious question: how is any of this legal?
The AI companies claim they’re allowed to train their models on this work without paying for it, thanks to the “fair use” exception in American copyright law. But Ed Newton Rex has a different view: he says it’s theft.
Newton Rex is a classical music composer who spent the better part of a decade building an AI music generator for a company called Stability AI. But when he realized the company – and most of the AI industry – didn’t intend to license the work they were training their models on, he quit. He has been on a mission to get the industry to fairly compensate creators ever since. I invited him on the show to explain why he believes this is theft at an industrial scale – and what it means for the human experience when most of our art isn’t made by humans anymore, but by machines.
More from Machines Like Us
This one's from The Decibel, The Globe and Mail's daily news podcast. Taylor was the guest, talking about the push to regulate AI and whether governments can keep up. We're between seasons, so we're running it here too. From The Decibel: After several reports of AI agents going rogue, calls for regulation of this technology have grown louder. And some of the people advocating for more rules are the leaders of the frontier labs themselves, like Anthropic CEO Dario Amodei. But how can governments, which tend to move slowly, regulate a technology that is changing at an increasingly quicker pace?
In early August, OpenAI hosted dozens of lifestyle creators at an upstate New York resort for a weekend they called Summer Club. There was beekeeping. There were farm-to-table dinners. And in between, there were sessions on how to use ChatGPT. The ensuing backlash was swift, especially against the female influencers. But the money pouring into AI marketing goes far beyond a luxury brand trip. Tech billionaires and super PACs are spending millions to quietly flood your social media feeds. Some have paid influencers for undisclosed deals pushing AI-positive and anti-China messaging. Others have gone so far as to fund radical anti-AI meme accounts that threaten their own CEOs – all to make their critics look unhinged. Tech and culture journalist Taylor Lorenz has spent more than a decade reporting on online creators. She’s been following the dark money behind these co-ordinated campaigns to buy up digital influence and shift the public debate around AI.
For years, the debate about AI was mostly about what it could do, whether it could write, make convincing art, or beat us at our own games. The questions now are older and harder. What makes us human? How do we find meaning? If a machine can do more of the things we thought made humans special, where does that leave us? These aren’t new questions, but rapid advances in AI have made them feel a lot more urgent. Even Pope Leo XIV chose artificial intelligence as the subject of his first encyclical. Greg Epstein, the humanist chaplain at Harvard and MIT and author of Tech Agnostic, has been asking these questions long before the machines showed up. He argues that we’re living in a moment with too much certainty, and that the most useful thing we could embrace right now might be doubt.
When Demis Hassabis co-founded DeepMind in 2010, his mission was simple: solve intelligence, then use it to solve everything else. What began as a scientific quest would eventually become a fierce global AI race.
You've probably seen one by now: a human-sized robot doing very human feats – landing a perfect backflip, racing through the streets of Beijing, or dancing in a crowd at a Knicks game. But behind these viral moments, there is serious money. Analysts predict the market for humanoid robots could be worth trillions in a matter of decades.