
Barnaby B. Barratt, "Free Association: A Contemporary Introduction" (Routledge, 2026)
New Books in PsychoanalysisShow Notes
In Free Association: A Contemporary Introduction (Routledge, 2026), Barnaby Barratt presents a compelling and much-needed exploration of the method of free association within psychoanalytic treatment.
This concise yet comprehensive book examines the historical roots, philosophical implications and transformative impact on the human psyche of free association, making it an essential resource for understanding the deep unconscious forces that shape our lives. Barratt demonstrates how free association uniquely reveals dimensions of the human condition that remain hidden in ordinary therapeutic approaches. Readers will gain insight into the distinctions between psychoanalysis and psychotherapy, the significance of repression and psychic energy, and the profound shifts in being that free association facilitates. Barratt's critical analysis of prevailing theories and alternative methods, such as somatic and shamanic practices, highlights the unparalleled ability of free association to reinvigorate psychic energies and existential freedom.
This book is a vital resource for psychoanalysts in training and practice, and anyone deeply curious about the human psyche. It is also a valuable tool for instructors and researchers in psychoanalysis, psychotherapy and related fields.
Barnaby B. Barratt is a research and training psychoanalyst in Johannesburg and Cape Town, South Africa.
Philip Lance, PhD, is a psychoanalyst in private practice in Los Angeles. He can be reached at [email protected].
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis
More from New Books in Psychoanalysis
“For Laplanche we are constantly and radically de-centered, always adrift so to speak in terms of a center.” - Dominque Scarfone
As the popular jazz standard tells us, “comes love, nothing can be done”, or can it? Galit Atlas begs to differ in her most recent book Come Closer: Childhood Wounds, Adult Love, and the Secrets of Emotional Intimacy, which describes six kinds of emotional styles, as we might call them, made manifest when we are young. Atlas, whose work has endeavored to sexualize the Relational School, here turns an eye both keen and wistful, towards love.
Psychoanalysing Mind-Body Narratives Through Beckett and Artaud: The Trauma of the Body (Routledge, 2026) provides an epistemology of the body as it relates to subjectivity through an analysis of selected works of Antonin Artaud and Samuel Beckett. Presented in three parts, the book explores a fundamental premise: that there is a traumatic and alienating dimension to embodiment that resists expression within representational systems and is core to the being of any subject. In Part One, The Epistemology of the Body, Meehan O'Callaghan approaches a theory of the body as traumatic by framing it as a question, a gap in knowledge through the lens of psychoanalysis and theatre studies. Part Two, The Body of Drama, is devoted to a study of the body in the works of Beckett and Artaud from the perspective of psychoanalysis. Part Three, The Body Between Being and Non-Being, provides a deeper exploration of how the interrogation of the body opens onto a question of being and uses the insights gained from the dialectical encounter of psychoanalysis with the specific works of Beckett and Artaud to apply them to contemporary and scholarly issues of the body. Psychoanalysing Mind-Body Narratives through Beckett and Artaud will be essential reading for psychoanalysts in practice and in training, and for academics and scholars of Lacanian studies, psychoanalytic studies, the body, disability studies, and literary and theatre studies.
This material and theoretical history of seriality shows it to be the dominant form of culture since its inception within 19th-century print culture, as both a media structure and a psychic one.
A collection of reported stories that explore the relationship between mothers and daughters, from Rachel Aviv, the finalist for the Pulitzer Prize in Feature Writing for her work in The New Yorker.