Show Notes
"Welcome to Accordion August!" I mean… Today on the podcast we talk shop with Dr. Lore Amenabar Larrañaga, accordion extraordinaire! She has put out a new CD: "Ispilu: Works for Quarter-Tone Accordion" featuring some of the most stunning contemporary quarter-tone accordion compositions of the day. Be sure to check it out after you listen to the episode.
All music is from the new album: L'eaurelle - Veli Kujala Die Stimme der Stadt - Christopher Fox L'eaurelle - Veli Kujala Barafostus' Dreame - David Gorton Permissible Self-Expression - Michael Finnissy L'eaurelle - Veli Kujala Crystalline Air - Electra Perivolaris Barafostus' Dreame - David Gorton
Check out "ISPILU" (meaning "mirror") here! https://www.loreamenabar.com/work
Socials: https://www.instagram.com/lore.amenabar/?hl=en https://soundcloud.com/lore-amenabar-larranaga https://www.youtube.com/@loreamenabarlarranaga
Support us on Patreon! https://www.patreon.com/nowandxen
Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/
Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA
More from Now and Xen
"Welcome to Alien August!" Elaine Walker comes down from her celestial spaceship to give us the scoop on her microtonal mini-movie album, "Macrochip!" The album is constructed entirely in Bohlen-Pierce tuning and Elaine created all the clips using human-made stock footage (no AI). The album is classic Elaine, strikingly visual, timbre-rich, and tonal.
"Welcome to Alien August!" We present our conversation with certified extraterrestrial Tachy Bunker, the interdimensional shaman, conlanger, and electronic dance music producer. Tachy uses a huge variety of chromatic tunings mainly consisting of EDO's, high-dimensional just intonation (including primodalities), and mixtures of these in polysystemic music. Check him out live if you can for his primal energy!
"Here we are in J.I. July!" Owen Garnder, guitarist of the iconic experimental rock band Horse Lords, gives us a rundown of the band's philosophical and aesthetic visions, influences over time, and a first-person account of what playing polymetrically and microtonally in this band entails. In the latest album, "Demand To be Taken Into Heaven Alive!" we see more guests than usual as well as harmonic ventures into new areas.
"Here we are in J.I. July!" We sat down for a talk with esteemed composer-performer Catherine Lamb about navigating justly tuned systems, writing in high-limit systems using low-numbered concordances, her 10 Hertz system, and individual approaches towards intervals.
In this historic 100th public episode, we celebrate and catalogue the creation of Christopher Bailey's monumental choral work "Lost and Found Things" in 17-TET. In the first conversation, Stephen Weigel, Thomas Scheurich, Jacob Barton, and Christopher Bailey discuss the process, and in the second conversation, Stephen Weigel and Christopher Bailey dive into the sound of the finished project and some of the thoughts behind the piece.