
Show Notes
The third of a series of reading group podcasts on sculpture. In this episode we talk about Phyllida Barlow’s proposal from 2012 for her Tate Britain Commission in 2014. We also talk about Barlow’s ‘The Hatred of the Object’ from 1997 and ‘Hearsay, Rumours, Bed-sit Dreamers and Art Begins Today’ from 2004. It’s basically a big love in for Barlow as an artist who writes towards making rather than theorising. Andrea and Matt talk about vitrines, art made for Instagram, and theatricality (again).
Below are the three texts we looked at for this podcast. You can download them all from www.dekersaint.com/badvibesclub
Barlow, Phyllida. ‘Artist Proposal’. Tate. Accessed 17 July 2023.
Barlow, Phyllida. ‘The Hatred of the Object’, 1997.
Barlow, Phyllida, Mark Godfrey, Alison Wilding, and Jon Wood. ‘Hearsay, Rumours, Bed-Sit Dreamers and Art Begins Today’. In Objects for --: And Other Things, 210–15. London: Black Dog, 2004.
More from The Bad Vibes Club
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In this episode, Matt and Andrea read Pedro Favaron y Chonon Bensho’s paper ‘Metsa Kené’ from 2020 (translated to English by AI) and Giuliana Borea’s ‘Personal cartographies of a Huitoto mythology’ from 2010. As a support text, we also read Florencia Portocarrero and Gabriela Germaná’s ‘The “Indigenous turn” and the rise of Amazonian art’ from 2026.
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Matt and Andrea present a live podcast from NCAD in Dublin, at the invitation of Fire Station Artists' Studios. We spoke about the dot: a mark that connects a diverse group of painters such as Georges Seurat, Philip Guston, Yayoi Kusama and Emily Kam Kngwarray. We read Linda Nochlin on Seurat, Margo Neale on Kngwarray and Jennifer DeVere Brody on Kusama. Thanks to everyone who came along to the event, to Mark, Niall and everyone at NCAD for hosting and to Sara Greavu for the invitation!