Show Notes
Join us for this 90 minute epic as we continue our mid 80s odyssey through the hectic schedule of D. Bowie, who is dressed in a frightwig and tights hurtling around labyrinths, or smoother than a filtered Turkish gasper, suave and Soho-sexy for Absolute Beginners. We get to grips with the music from both movies, debate Bowie's astonishing work rate, enjoy his Iggy Pop impersonation, tell you all you ever wanted to know about the Italian evergreen 'Volare' and Pegg shares some fruity opinions on Chris de Burgh and the Thompson Twins. We're very happy with this one and I hope you like it too! STAY TOONED: Next up - Live Aid and beyond. Join the gang, share the love.
More from DAVIDBOWIE: ALBUMTOALBUM
As Carlos Alomar's THE D.A.M. TRILOGY'S "Back to Berlin Tour 2025" winds to a close, hundreds of fans across Europe have enjoyed seeing the man himself in person alongside the dapper don of the deep end George Murray, axe spanker extraordinaire Kevin Armstrong and their smokin' hot band, performing hits and deep cuts from '76 - '80. It's been a joyful experience as anyone who's been lucky enough to catch one of their shows will affirm and in this, the second part of my conversation with Carlos taped before he hit the road, his enthusiasm, good humour and inexhaustible fund of memories, anecdotes and reflections colour our chat with good vibes and positive energies.
He's the man who went from Philly soul to Scary Monsters by way of Station to Station and all things Berlin - yes, it's Carlos Alomar, guitarist, songwriter, collaborator, bandleader and all round musical machine joining me on this episode for a wide ranging conversation spanning technology, working with David Bowie, James Brown, George Murray, Dennis Davis, The Monkees, Jimi Hendrix, watermelons, cherries and pineapples and much more. He even gets his guitar out and demonstrates where just a couple of those legendary licks originated from.
Part Two of my conversation with Tin Machine co-producer and amanuensis Tim Palmer takes in the aftermath of the 1989 debut LP and the fractured coming together of elements to make up the arguably stronger second album - a smorgasbord of some classic Bowie songwriting, noise, avant garde guitars, sex toys and good time rock'n'roll. In this episode Tim reflects on those sessions that took place simultaneously with David's round-the-world Sound + Vision tour (in which he set out to lay his back catalogue to rest) as well as the frequently astonishing level of innovation, invention and energy that went into Tin Machine 2.
What have U2, The Mighty Lemon Drops, Pearl Jam, Robert Plant, The Mission, The Polyphonic Spree, Gene Loves Jezebel oh and - David Bowie all in common? That's right - superproducer Tim Palmer has worked with them all, and countless others over the decades and is regarded as one of the most accomplished and renowned names in the biz.
Sorry! Join me for the second part of my conversation with author, musician, professor and all round superstar Leah Kardos on Tin Machine II – the overlooked, underrated work by Hunt and Tony Sales, Reeves Gabrels and David Bowie, from 1991. So underrated, in fact, that it's not even properly available - a mystery in itself. There have been occasional rumours of a Tin Machine box but this never quite happens. Leah and I feel this is a great tragedy, as to ignore Tin Machine is to ignore a crucial, transformative and vital moment in Bowie’s evolution.