The Lost Gardens of Heligan: Storytelling, Nature, Horses & the Power of Place | Laura Chesterfield | LFRF 49

✨ “The principal thing is love, passion, love, passion and passion and love.” – Luis Valença ✨ “The first thing is to communicate with the horse, and for the horse to accept you.” – Luis Valença ✨ “It’s not gymnastics.” / “Our work is like music. It’s the same as listening to Chopin or Beethoven.” – Luis Valença ✨ “I have the same enthusiasm because I love life, I love the horses, I love the family.” – Luis Valença ✨ “Never take the personality from the horse.” – Luis Valença

✨ "For me, competition has always been real feedback, not what I think is good." – Sinead Maynard ✨ "There's nothing about me that's gonna make you do this. You gotta love it, and we gotta love it together." – Sinead Maynard Sinead Halpin Maynard was born in Fort Worth, Texas, to Irish immigrant parents and grew up in South Carolina, where she stumbled into eventing via a hunter-jumper barn that didn't approve of her mother's black saddle. At 15 she drove herself to Middleburg, Virginia, as a working student, went on to train with David and Karen O'Connor, and after losing a horse on course, moved to England to ride for William Fox-Pitt. On the French-bred Manoir de Carneville ("Tate"), she finished third at her first five-star at 30, was first reserve for the London 2012 Olympics and rode on the US team at the 2014 World Championships in Normandy. Today she and her husband, Tik Maynard, run their farm in Florida, teach clinics, and Sinead commentates on top-level eventing and serves as a US team selector. Rupert and Sinead talk candidly about the money and hustle behind a competitive career, why she still loves competing, and how she uses competition as honest feedback on her partnership with the horse. They explore sports psychology and narrow-versus-broad focus, whether riders have the right to ask horses to compete at all, and the difference between training from fear and training from play. Sinead explains retreat and approach, why she'll swap a bigger bit for a rope halter, how rider selection now weighs horse welfare, and why fitness and varied terrain are the foundation of a sound, happy horse. A frank, funny and wide-ranging conversation between two eventers at heart. FREE Helios Harmony Intro Course: https://longridehome.com/onoutpout

✨ "Dressage should be for the horse — the horse should not be for dressage." – Mark Russell, quoted by Patrick King ✨ "Speed is the enemy of balance." – Patrick King Patrick King is a classical dressage trainer based in Lexington, Virginia, who came up through Western horsemanship — 4-H as a kid, an apprenticeship with legendary colt-starter Ray Hunt, then mentorship from the late Mark Russell before he found his way, like Rupert, to Luis Valença and the Portuguese school. He's since studied with Charles de Kunffy and Bettina Drummond, earned bronze and silver dressage medals, and now teaches through his online Academy for Classical Horsemanship and clinics from his farm. He and Rupert trace how diagonal balance actually works and why the word "driving aids" gets lost in translation from the German, why competition pressure changes how horses and riders move, and how Western pleasure and saddle seat drifted from practical function into pure fashion. Patrick also walks through his simplest test for good training — could the horse explain to its paddock mates what you just asked of it — and why he stops mid-exercise to wait for a full diaphragmatic breath before asking a horse to go forward. It's a wide-ranging, technically rich conversation between two horsemen who share a mentor but arrived from opposite directions — and it's only part one. They run out of time before finishing, so a follow-up conversation is coming. FREE Helios Harmony Intro Course: https://longridehome.com/onoutpout All Books Mentioned: https://longridehome.com/books What You'll Learn in This Episode 00:01:50 – A shared mentor, Luis Valença, connects two very different paths into classical horsemanship 00:04:21 – Patrick's apprenticeship with Western horseman Ray Hunt and learning to "get to the mind through the feet" 00:08:29 – Mentor Mark Russell's insight that the feet are an extension of the spine 00:19:49 – The real difference between submission and relaxation in horse training 00:34:28 – Mark Russell's guiding principle that dressage should serve the horse, not the other way around 00:45:00 – Training the test versus testing the training, and how competition pressure changes the ride 01:23:06 – Diagonalization explained: how horses balance on diagonal leg pairs, and what that means for every transition 01:31:18 – Luis Valença's "position, balance, execute," and why "prepare, don't repair" beats fixing a movement mid-stride 01:36:36 – The "driving aids" mistranslation from German, and the physical, mental, and emotional dimensions of the half halt 01:54:37 – Why "is my horse breathing?" might be the most overlooked question in training Memorable Moments from the Episode 00:13:44 – Patrick's story of an abusively trained Western pleasure horse that once cornered him in a stall as a teenager 00:27:38 – Rupert's breakdown of dopamine, serotonin, endorphins, and oxytocin, and why riding this way feels so good 01:06:52 – The surprising history of dressage as a European import tied to wealth and status 02:01:00 – Two hours fly by, and Rupert and Patrick agree on the spot to record a part two

✨ "You do it by offering before you ask, connection before direction." – Jenifer Zeligs ✨ "Look with appreciation. Look with delight. Look with interest. Look with curiosity." – Jenifer Zeligs

✨ "I think love is just not blocking out your connectedness to anything else." – Warwick Schiller ✨ "The same action with a different intention has a different energetic signature." – Warwick Schiller Warwick Schiller joins Rupert Isaacson for a wide-ranging conversation on altered states of consciousness in horsemanship, a subject the two first began exploring together on Warwick's own podcast. Rupert opens with the story of his son Rowan's healing ceremony with Kuku Yalanji shamans in Australia's Daintree Rainforest, and the two trace the theme from there into what "consent" and so-called horse slapping actually look like through a horse's nervous system. From there the conversation moves through the deep history of horse worship, from the goddess Epona and Xenophon's writings to Roman cavalry rituals and Mongolian shamanism, and lands on a central idea both men keep circling back to: that intention itself changes the energy, or as Warwick puts it, the "energetic signature," of any action, whether that's patting a horse, backing one up, or riding into battle. A wide-ranging, unhurried conversation that moves from hardware stores and rodeo bulls to henbane, King Arthur, and a closing reading from the Hadith. What You'll Learn in This Episode 00:00:36 – Rupert opens the episode by introducing the theme of altered states of consciousness in horsemanship 00:05:24 – Rupert recounts his son Rowan's healing ceremony with Kuku Yalanji shamans in the Daintree Rainforest 00:11:03 – Warwick unpacks consent, "horse slapping," and what it means to actually be present with a horse 00:24:13 – Why Warwick loses all sense of time while running clinics, and what that says about altered states 00:38:38 – A journey through the ancient history of horse worship, from Epona and Xenophon to Roman cavalry and Mongolian shamanism 00:44:49 – What it might look like to bring ritual and reverence back into everyday training 01:09:20 – Warwick on his real job as a teacher: "busting" people's long-held truths 01:27:00 – The henbane story, and how intention changes the "energetic signature" of an action 01:41:00 – How a Horse Boy fox hunt became a bloodless, inclusive tradition for kids with special needs and refugee children 01:51:24 – Ancient horse divination rituals from the Baltic to Rajasthan, and the Hadith reading that closes the episode Memorable Moments from the Episode 00:56:21 – Warwick's story about trying to buy "starter cord" from a bemused hardware store clerk 01:01:14 – Rupert admits he prays before every clinic or talk, weaving together Christian and Germanic horse-god iconography 01:28:56 – The Elizabeth Gilbert and Raya story: the same purse-saving gesture, told twice, with two very different meanings behind it 01:57:15 – Warwick closes with a line from the Hadith that, as he puts it, ties the whole conversation together 01:59:24 – Rupert describes something "coming out of the cliff" and speaking to him during a retreat in Sweden Warwick Schiller https://warwickschiller.com Journey On Podcast Warwick's own podcast, referenced throughout the conversation as the place he and Rupert first began discussing these ideas See All of Rupert's Programs and Shows: Website: https://rupertisaacson.com