
Show Notes
This week DPP is joined by academic, podcaster, former editor of Sublation Magazine and founding member of the Platypus Affiliated Society: Spencer Leonard to talk about the 1989 Civil War flick Glory [https://en.wikipedia.org/wiki/Glory_(1989_film)]. Leonard briefly taught Sam a course on Indian political history at the University of Virginia in the depths of the 2010s — so this is a homecoming of sorts.
Glory marked a high-water mark for a certain liberal and intergrationist conception of race-relations in the USA. In 1989, the struggle for civil rights 'appeared' to be over, the threat of radical alternatives to the American social compact was diminishing in day-to-day and week-to-week as the Soviet Union collapsed and Reganism ran its course. Yet, at the same time, left-liberal conceptions of 'recognition' and Rawlsian justice were at their height. Then, Gen X could look forward to a 21st century defined by postracial politics — not the Afro-Pessimism that actually emerged.
Can some men with moustaches and silly frock-coats run at each other with rifles without triggering a Hegelian meditation on The End of History? The answer is no.
Chase and Spencer Yank out on Civil War references, while Sam is left baffled and wishing this was all about an earlier, 17th-century civil war. Who exactly were James Montgomery, Robert Shaw?, and Frederick Douglass? And why do they matter so much to Gen X?
Find out in today's episode.
Leonard can be found at @SpencerALeonard [https://x.com/SpencerALeonard], he formerly edited Sublation Magazine [https://www.sublationmag.com/] and his latest publication is Marx and Engels on Bonapartism: Selected Journalism, 1851–59 [https://www.bloomsbury.com/uk/marx-and-engels-on-bonapartism-9781666928051/].
As always, please like, subscribe, rate on Spotify and follow us at DeathPhotoPod on X [https://x.com/deathphotopod].
You can find our Patreon here [https://www.patreon.com/c/deathphotopod]. Bonus episodes to come.
More from Death is a Photograph
Patreon here. [https://www.patreon.com/c/deathphotopod]
After a year, your hosts are ready to wrap Gen X. Season One is at a close. What did we learn about the self-professedly forgotten generation? What has Banksy to do with the spirit of the age? And, most importantly we answer the question that started it all: how did the dirty girls end up in the K-Hive?
DPP is back, baby — and this time for an encore. Chase and Sam thought they'd round out the season — find a 'capstone', if you will — for the last year. That pediment takes the form of Chris Smith's fly-on-the-wall documentary American Movie (1999).
Fear the coming of the trilby. Yes, that's right — today, in the last episode of our first season, we're looking at Gen X accelerating towards middle age and a crash encounter with those coming up behind them: millennials.