
Show Notes
Story time with Fr. Andrew! In this episode with Fr. Andrew Damick, we explore the symbolism of paradise through a fairy tale, a Norse saga, and the Christian tradition. We look at how the path to paradise is often revealed through humility, sacrifice, death, and transformation —and how these old stories can help us understand the relationship between heaven and earth.
YouTube version: https://www.youtube.com/watch?v=Wwp36RyLkPQ
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Register now for the Universal History Masterclass hosted by Dcn. Seraphim Rohlin, taking place live this August and September. https://www.thesymbolicworld.com/courses/universal-history-masterclass
More from The Symbolic World
Part 5. In this episode, Deacon Seraphim Rohlin and I continue the Syriac text of the Cave of Treasures into the fourth age of the world. The text traces the origins of idolatry back to a lack of hope in the resurrection. It tells of a “flood of wind” that buried the idols in mounds, and it puts the origin of sorcery in a child sacrifice to a golden image. We also look at how the text explains Persian fire worship and why it makes Nimrod the same person as Zoroaster. Along the way we talk about the difference between an icon and an idol. Watch the YouTube version: https://youtu.be/JLLlb-QqLBk Watch the full series here: https://youtube.com/playlist?list=PLegM2eIGv3-I&si=uD375Yi9HcXAt4_j-------------------------------GodsDog: Monk is now officially in stock! You can also get volumes 1 and 2 on sale during October! Visit: https://godsdog.com/-------------------------------The Book of the Cave of Treasures: https://www.amazon.com/Book-Cave-Treasures-Patriarchs-Crucifixion/dp/1911405659Timestamps: 0:00 Coming up1:26 Intro1:40 Preamble3:42 The Cave of Treasures & the Seven Ages of the World5:30 Tolkien's Middle-earth as Universal History6:11 The Oxford Summit & Tolkien's Grave8:41 King Arthur, Dragon Hill & the Blood Spot12:09 The Fourth Age: Egypt, Sheba, Ophir & India14:43 How Idolatry Began15:17 No Hope of Resurrection: Images on the Grave17:02 The Flood of Wind & the Burial Mounds18:55 Satan Enters the Golden Image21:01 Child Sacrifice, Moloch & Carthage22:41 What's the Difference Between an Icon and an Idol?25:58 Opening the Mouth of the Idol27:25 Idols As a Tool28:38 Same Rituals, Different Direction29:38 Idolatry vs. the Hope of Resurrection30:31 A Mound Full of Devils32:57 Nimrod Worships the Fire from the Earth33:43 Nimrod & the Wisdom of Noah's Son34:47 Abraham the True Astrologer35:10 Divination in the Old Testament: Urim, Thummim & the Ephod37:37 The Fire Priest's Dark Initiation40:34 How Paganism Emerges41:17 The Origins of Astrology42:56 Nimrod Is Zoroaster?44:11 Zoroaster, the Magi & the Star of Christ45:05 Nimrod, Zoroaster & Balaam: The Same Person?48:21 The Legend of Balaam's Talking Donkey49:06 Hidden Monotheism in the Ancient World51:21 Universal History as a Lens on the Present52:12 Why Zoroastrians Don't Bury Their Dead53:29 Armenia's Hayk & the Death of Nimrod🔓 Become a patron to support us and unlock exclusive monthly symbolism content: https://thesymbolicworld.com/subscribe💻 Website, blog, courses: http://www.thesymbolicworld.com📚 Store: https://store.thesymbolicworld.com/Our website designers: https://www.resonancehq.io/ My intro was arranged and recorded by Matthew Wilkinson: https://matthewwilkinson.net/
This is a patron video we decided to make public. I look at the difference between Renaissance art and the symbolic language of early Christianity, especially through the mosaics of Saint John Lateran. Saint John Lateran is the cathedral of Rome and the pope’s actual seat as Bishop of Rome.
Why do Christians venerate the relics of saints, and how can these objects perform miracles? I explore the biblical and symbolic meaning of relics, from the bones of Elisha to the incorrupt bodies of saints, and what they reveal about the body, holiness, and the resurrection.
This talk is a repost from the archive. It was given in Feb. 2017 at the Climacus Conference in Louisville Kentucky. Looking at the story of the life of Moses as described by St. Gregory of Nyssa, I use the pattern found there to trace a map of the cosmos which can be used to interpret other stories and images.
The patterns in stories appear as their underlying order and also as a mode of human consciousness. We can encounter the Divine Logos in ancient stories and see how these patterns culminate in the story of Christ.