Show Notes
One of the steelpan art form's prodigious talents talks about the challenges of building an identity outside of conditioned perceptions in the music industry and the indigenous culture from which it emerged. Support the show
More from Pan Players' Podcast
Tony “Pan Jumbie” Williams’ story is ne of passion and dedication to the steelpan art form. But in this chapter, he is faced with some serious challenges to his legacy and indeed his life, as he battles the complexities of diabetes and its debilitating effects. But Tony is focused on one objective; acquiring some prosthetics for his amputated legs so he can resume his love of teaching the steelpan art form to the youth of Trinidad and Tobago. Gofundme: https://gofundme/7216af59 Born in Trin...
When you follow your bliss, the synchronicities are ecstatically validating with rewards beyond your dreams, not necessarily making a living but living a love. The unassuming St. Lucian pannist, composer, arranger Allison Marquis truly exemplifies this sentiment with eight Panorama Championships and already eyeing next year for number nine. Support the show
The new business model for the Steelpan industry is an ecosystem based on collaboration rather than competition. Akua Leith explains the pillars and principles that guide this system in the founding of MITTCO (Musical Instruments of Trinidad and Tobago Company LTD). Support the show
"Be like water" was Bruce Lee's famous admonition. For Victor Provost, Pan was the instrument he played growing up on St. John in the Virgin Islands. Jazz was the music he loved. The melding of the two was no conscious exploration, it was an organic evolution. Performing and sharing this gift was what he was used to, until Covid struck. Then he pivoted to his other love, teaching and sharing what he had uniquely developed. "Water!" Support the show
“In the US, every instrument…guitar, trumpet, piano, has its own society where people who are interested…or are practitioners and teachers in that discipline, get together at conferences, via professional journals, websites; and they share best practices, ideas,…what has worked, what hasn’t worked, what are their challenges, so that we’re not reinventing the wheel every time somebody wants to do this thing.” – Chris Tanner And that, essentially is what the NSSBE provides for the Steelpan art ...