Conversations about Arts, Humanities and Health

Episode 32 - Why doctors write /w Dr Danielle Ofri

Conversations about Arts, Humanities and Health

Show Notes

Co-hosts Ian Sabroe and Dieter Declercq will with Danielle about Why Doctors Write, alongside the encounter between arts and medicine, and the doctor-patient connection. Danielle Ofri, MD, PhD, is one of the foremost voices in the medical world today, shining an unflinching light on the realities of healthcare and speaking passionately about the doctor patient relationship. She writes about medicine and the doctor-patient connection. Her writing appears in the New York Times, The New Yorker, and the Atlantic, as well as the Lancet and the New England Journal of Medicine. Danielle Ofri is a founder and Editor-in-Chief of Bellevue Literary Review, the first literary journal to arise from a medical setting, now an award-winning, independent nonprofit literary arts organization. She is a primary care internist at Bellevue Hospital and a clinical professor of medicine at NYU. Her lectures to medical and general audiences are renowned for her use of dramatic stories (and avoidance of PowerPoint). Her essays have been selected for Best American Essays (twice) and Best American Science Writing, by Stephen Jay Gould, Oliver Sacks, and Susan Orlean. Ofri is the recipient of a 2023 Guggenheim Fellowship, the 2023 Davies Scholar Award from the American College of Physicians, the 2022 National Humanism in Medicine Medal from the Gold Foundation, the 2020 Global Listening Legend Award, and has been awarded an honorary doctorate of humane letters. Ofri is a “Master” of the American College of Physicians, and has received the McGovern Award from the American Medical Writers Association for “preeminent contributions to medical communication.” Danielle Ofri has given TED talks on Deconstructing Perfection and Fear: A Necessary Emotion, and has also performed stories for the Moth. She is featured in the documentaries Why Doctors Write and White Coat Rebels. An ever-struggling student of the cello, she’s hoping to someday complete the ever-uphill slog through all 36 movements of the Bach cello suites.

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